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MURAL

“Victory Garden,” a giant mural in the North End of St. Paul, celebrates a diverse neighborhood that, like a tree with many roots and branches, depends on all of its ethnic and racial residents for health and growth. Artist Carly Schmitt ’03 designed the mural and executed it with the help of three Macalester students including Amanda Coen ’08.

PAINTING A GARDEN
Amanda Coen
Locke, New York
International Studies

Art has always been an important part of my life, and working on a mural was a way to use one of my passions to help beautify a neighborhood. I had been thinking about what to do for the summer when I noticed an advertisement for a local mural project in Macalester’s daily newsletter. I emailed artist Carly Schmitt ’03, the Macalester alum in charge, and soon found myself involved.

When I met Carly, she had already talked with members of the community where the mural was to be painted—visiting town meetings and area schools and doing research at the local library. Working from what the community found most important, she designed a mural that included local landmarks, the typical neighborhood housing style, and plants and animals that symbolize the diverse population within the community. Color would be important in revitalizing the space. Carly invited my input regarding the design and explained the process of creating a mural.

One of the best parts about doing the mural was meeting other enthusiastic, creative people who are passionate about what they do.
—Amanda Coen

COEN
Amanda Coen

Emily Parks, another Macalester student, was also involved in the mural project. Together, Carly, Emily and I brainstormed ways to avoid problems and invented methods to enlarge and transfer the mural design onto the wall. We even found a way to involve some area high school students. One of the best parts about doing the mural was meeting other enthusiastic, creative people who are passionate about what they do. As an international studies major and art minor, I think a lot about how people with different backgrounds, whether social, ethnic or political, can come together peacefully. While dialogue is important, I find that people are usually much more open to art as a mode of communication. A mural has the potential not only to convey a message, but also to revitalize a previously rundown space. It can draw people from both the immediate area and beyond, helping local businesses and changing the atmosphere of the space. Whatever the outcome, the mural is the result of a large collaborative effort that allows all involved—community members, local businesses, the city and artists—to feel proud.

 

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