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jenna johnson and galick

Three Penny Opera

Jenna Johnson
Portland, Maine
Theater
After Mac: Stage Manager, Jon Hassler Theater, Plainview, Minnesota

Sophomore year I declared a major in theater, but I hadn’t yet decided on a particular emphasis. Then I interned as house manager at Barrington Stage Company in Pittsfield, Massachusetts, where I gained a greater sense of confidence and learned how much I liked being able to control things from behind the scenes. With my new tools, I started down the path of stage management at Macalester.

jenna johnson “If you’re going to make a living in the arts, networking is essential, and the Twin Cities is a great place to make that happen.” Jenna Johnson ’08

As stage manager, I run the show, call the cues, and make sure everything happens smoothly. If something goes wrong backstage, my goal is to handle it so that the audience never knows. I communicate with the cast, the director, and the productio team. The summer before my senior year, I volunteered with Off-Leash Area, a dance theater company based in Minneapolis, and stage-managed a dance show at the Southern Theater for the Fringe Festival. Brecht & Weill’s anti-musical, The Threepenny Opera, became the second show I stage-managed at Mac, as well as my senior project.

galickAlexander Galick Oakdale, Minnesota Theater, German Studies After Mac: M.F.A. in theater & acting, Louisiana State University

Acting in The Threepenny Opera was a memorable theater experience that drew on my diverse scholarly interests in theater and German studies, as well as skills from singing with the Macalester Choir. I performed the role of Mr. Peachum, the beggar baron who attempts to have the bandit Macheath (Mack the Knife) captured and hanged, so he can collect the reward. When you do a three-hour play like this, the rehearsal commitment can be staggering, so our rehearsals started in the middle of winter break.

One of the great things about a Macalester education is that you can pursue diverse interests like German and theater. Opportunities can arise, like performing in The Threepenny Opera, but so can predicaments. The long-awaited Macalester Choir tour to Japan was scheduled for a two-week slot right in the middle of winter break rehearsals. Luckily, before I left I was able to record my lines and songs on a digital recording device, and I brought them along with my script to Japan. I studied them whenever I had time, and upon my return, I was ready to join in with the rest of the cast.

“Macalester’s proximity to a thriving theater community provides an amazing pool of guest artists.” Alexander Galick

One of the most exciting aspects of this production was the director Gary Briggle, a Twin Cities director with decades of experience (please Google him). Macalester’s proximity to a thriving theater community provides an amazing pool of guest artists. Likewise, the Theater Department faculty is involved in local theater through set design, dramaturgy, acting, and directing in venues like the Guthrie, Frank, and Penumbra theaters, making a richer theater environment for Mac students, the college and the community.

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