COMPARATIVE FREEDOM MOVEMENTS:
THE UNITED STATES AND
History 394-01/American Studies 394-01
M nights, 7-10 PM, Old Main 002 Film viewings, T’s or W’s, 7PM, H402
Peter Rachleff Old Main 306 X 6371 rachleff@macalester.edu
Office hours: MWF, 10AM – Noon and by appointment
Preceptor: Rachel Tenney rtenney@macalester.edu
Two of the most
important movements to challenge institutional racism in the second half of the
20th century were the civil rights movement in the
Class sessions will move from lectures to small group discussions and question and answer formats. We will move around quite a bit within our three hour sessions with ever-changing responsibilities for keeping class dynamic. At times we will be dealing with difficult material and it is important that we maintain a classroom environment in which we speak thoughtfully, listen respectfully, and treat each other as colleagues. In our preparation, we will rely on scholarly readings, memoirs, autobiographies, biographies, primary documents, music, documentary and dramatic films, and guest speakers.
This is an
advanced level course which assumes, first of all, that students are highly
motivated to engage this material and are willing to take considerable
responsibility for their own learning.
Secondly, it assumes that students have some knowledge of comparative
racial formations, the analysis of racism and the challenges of anti-racist
activism. Thirdly, it assumes that
students have some experience interpreting primary documents, weighing
historical arguments, and writing analytical papers that present an
argument/hypothesis and support it with historical evidence. There are no expectations that students have
any prior knowledge of the histories of the
This course is intended to provide a substantial learning experience and students should take it only if you are prepared to make a substantial commitment to it. Meeting only once a week raises the danger that students who assume a passive orientation to the class can become lost. It is imperative that you attend every class session and that you make every effort to see the weekly films, either by attending the group screening on Tuesday or Wednesday evenings or by borrowing the VHS or DVD and seeing it on your own. I encourage you to google each film as we come to it, as the relationship between the context in which it was made to the subject matter is not always apparent yet is important to understand. We will discuss films in class. I hope that you will meet together on your own outside class, that you will come see me or meet with Rachel Tenney, our preceptor, for further discussion, in relation to paper assignments, readings, film viewings, or issues that arise for you. We will also rely on email for conversations between class sessions and as a way to prepare for class discussions, so that we make the most of each session. The reading load is heavy, typically an entire book in a week. There will even be recommended supplementary readings. You will also have access to a terrific electronic journal, SAFUNDI: A JOURNAL OF COMPARATIVE AMERICAN AND SOUTH AFRICAN STUDIES. At times, I expect you will skim some of the reading, but our conversations in class will engage the key arguments, information, and thrust of the assigned texts. I will circulate by email questions and issues for focus in preparation for the Monday night sessions, and I encourage you to do the same. Your involvement in class discussions and in the preparation for these discussions will be an important element in your final grade.
The remainder of your grade will depend on three analytical papers of 4-6 pages in length and a 2-3 page paper in response to the American Studies Conference (which will focus on environmental racism). These will not be “research” papers that go beyond the syllabus for information but will ask you to pull together readings, class discussions, and films in response to a question or in exploration of an issue or theme. You will be expected to present and support an argument/hypothesis in each of your papers and to provide footnotes, references, and a bibliography in a scholarly format. I hope you will come and talk with me as you prepare your papers. I will also allow you to revise and resubmit papers for improved grades.
Many of the supplementary and even some of the required readings will be provided in the electronic course folder or through JSTOR. The following books will be available at the college bookstore and, hopefully, on reserve at the library:
Frederickson, WHITE SUPREMACY
Campbell, SONGS
OF
Marable, RACE, REFORM, AND REBELLION
Gerhart, BLACK
POWER IN
Payne, I’VE GOT THE LIGHT OF FREEDOM
Bozzoli, THEATRES OF STRUGGLE AND THE END OF APARTHEID
Robnett, HOW LONG? HOW LONG?
Berger, THREADS OF SOLIDARITY
Honey, SOUTHERN LABOR AND BLACK CIVIL RIGHTS
Syllabus
Caution: subject to change
M 1/23 Introduction to the course
Introduction to freedom movements
Please come prepared to discuss either Garrow, BEARING THE CROSS or
Mandela, LONG WALK TO FREEDOM
T 1/24 or W 1/25 7 PM Screening (H 402): Mapantsula (100 minutes)
M 1/30 White Supremacy
Reviews available:
Frederick Cooper, “Race, Ideology, and the Perils of Comparative History,”
AMERICAN HISTORICAL REVIEW (October 1996), 1122-1138 [JSTOR]
Shula Marks, “White Supremacy: A Review Article,” COMPARATIVE
STUDIES IN SOCIETY AND HISTORY (April 1987), 385-397 [JSTOR]
Also recommended:
Greenstein, “The Study of South African Society: Towards a New Agenda
Comparative Historical Inquiry,” www.safundi.com, Issue 10 (April 2003)
**Hand out paper topic #1, due W 2/15 at Noon
T 1/31 or W 2/1 7PM Screening (H 402): Nothing But a Man (95 minutes)
M 2/6 White Supremacy (cont.)
Required readings in electronic course folder:
Cedric Robinson, BLACK MARXISM: chapter 1: “Racial Capitalism: The
Non-Objective Character of Capitalist Development”
Harold Wolpe, “Capitalism and Cheap Labor Power in
Segregation to Apartheid”
Leonard Thompson, A HISTORY OF SOUTH AFRICA: chapter 6: “The
Apartheid Era, 1948-1978” and chapter 7: “Apartheid in Crisis, 1978-1989”
Manning Marable, HOW CAPITALISM UNDERDEVELOPED BLACK
T 2/7 or W 2/8 7PM Screening (H402): Bamboozled (135 minutes)
M 2/13 From Comparisons to Connections: The Lens of Religion
T 2/14 or W 2/15 7PM Screening (H402): Boesman and Lena (85 minutes)
Recommended preparation: Errol Durbach, “’… No Time for Apartheid:
Dancing Free of the System in Athol Fugard’s Boesman and Lena,” in
Blumberg and Walder, eds.,
INTERVENTION (electronic course folder)
W 2/15 Paper #1 due at Noon
M 2/20 The
Required reading in electronic course folder:
Hall, “The Long Civil Rights Movement and the Political Uses of the Past”
T 2/21 or W 2/22 7PM Screening (H402): Freedom on My Mind (110 minutes)
F 2/24 and Sat 2/25 American Studies Conference: Environmental Racism
M 2/27 The South African Movement: A Macro View
Required reading in electronic course folder:
Lalu, “Incomplete Histories: Steve Biko, the Politics of Self-Writing and the
Apparatus of
Recommended reading in electronic course folder:
Gibson, “Black Consciousness 1977-1987: The Dialectics of
Liberation
in
Steve Biko, I WRITE WHAT I LIKE, selections
**Paper on American Studies Conference due in class
**Hand out Paper #2 due W 3/22 at Noon
T 2/28 or W 3/1 7PM Screening (H402): Cry Freedom (160 minutes)
Recommended preparation: Elaine Dubordieu, “Biko, Blackness, and Black
Consciousness in Richard Attenborough’s Cry Freedom (electronic folder)
M 3/6 The
Recommended readings in electronic course folder:
Hill, THE DEACONS FOR DEFENSE: ARMED RESISTANCE AND THE
CIVIL RIGHTS MOVEMENT, ch.4: “Not
Tyson, “Robert Williams, ‘Black Power,’ and the Roots of the African
American Freedom Struggle,” JOURNAL OF AMERICAN HISTORY
(Sept. 1998) [JSTOR]
T 3/7 or W 3/8 7PM Screening (H402): 4 Little Girls (102 minutes)
3/13 SPRING BREAK
M 3/20 The South African Movement: A Micro View
Screen
and discuss in class: Bopha!
T 3/21 or W 3/22 7PM Screening (H402): Sarafina (117 minutes)
W 3/22 Paper #2 due at Noon
M 3/27 Women in the Movement:
Recommended readings in electronic course folder:
Ransby, ELLA BAKER AND THE BLACK FREEDOM MOVEMENT,
Ch.8: “Mentoring a New Generation of Activists”
T 3/28 or W 3/29 7PM Screening (H402): Fannie Lou Hamer (60 minutes)
M 4/3 Women in the Movement: South African Experiences
Required reading in electronic course folder:
Bahati-Kuumba, “’You’ve Struck a Rock’: Comparing Gender, Social
Movements, and Transformation in
the
Hiralal, “’We Shall Resist’: The Role of Indian Women in the Passive
Resistance Campaign, 1946-1948” -- access via:
(http://www.queensu.ca/sarc/Conferences/1940s/Hiralal.htm)
**Hand out paper #3 due W 4/26
T 4/4 or W 4/5 7PM Screening (H402): You Have Touched a Rock (50 minutes)
M 4/10 Labor in the Movement:
Recommended in electronic course folder:
Community,” in Huntley and Montgomery, BLACK WORKERS’
STRUGGLE FOR EQUALITY IN
Korstad, “CIVIL RIGHTS UNIONISM: TOBACCO WORKERS AND THE
STRUGGLE FOR DEMOCRACY IN THE MID-20TH CENTURY SOUTH:
Chapter 11: “It Wasn’t Just the Wages We Wanted, But Freedom”
Kelley, “’We Are Not What We Seem’: Rethinking Black Working-Class
Opposition in the Jim Crow South,” JOURNAL OF AMERICAN HISTORY
(June 1993) [JSTOR]
T 4/11 or W 4/12 7PM Screening (H402): At the River I Stand (60 minutes)
Finally Got the News (55 minutes)
M 4/17 Labor in the Movement: South African Experiences
Sitas, “The Sweat Was Black: Working for Dunlop”
Maree, ed., THE INDEPENDENT TRADE UNIONS, 1974-1984: TEN
YEARS OF THE SOUTH AFRICAN LABOR BULLETIN: “Trade Unions
and the State: The Question of Legality”; “Overview: Trade Unions and
Politics”; and “The Workers’ Struggle: What Does FOSATU Stand For?”
Van Niekirk, “The Trade Union Movement in the Politics of Resistance in
Hinshaw,
“The Politics of Steel in the
Kerson, “The Emergence of Powerful Black Unions”
T 4/18 or W 4/19 7PM Screening (H402): Compelling Freedom (60 minutes)
M 4/24 Politics of Culture and the Culture of Politics
Von Kotze, ORGANIZE AND ACT: THE NATAL WORKERS THEATER
MOVEMENT, ch.1: “The Dunlop Play”
Sitas, “Traditions of Poetry in
PERFORMANCE: THEATRE, POETRY, AND SONG IN SOUTH
EAR TO THE GROUND: CONTEMPORARY WORKER POETS
Kivnick, WHERE IS THE WAY: SONG AND STRUGGLE IN SOUTH
Nixon, HOMELANDS, HARLEM, AND
THE FREE SOUTHERN THEATER BY THE FREE SOUTHERN
THEATER, selected documents
Cohen-Cruz, “Comforting the Afflicted and Afflicting the Comfortable: The
Legacy of the Free Southern Theatre”
Woodard, A NATION WITHIN A NATION: AMIRI BARAKA AND
BLACK POWER POLITICS, ch.1: “Groundwork: The Impact of Fidel
Castro, Patrice Lumumba, Robert Williams, and Malcolm X on Amiri
Baraka and the Black Arts Movement”
We will read and discuss in class:
Negro Ensemble Company, DAY OF ABSENCE (electronic course folder)
T 4/25 or W 4/26 7PM Screening (H402): Amandla! (110 minutes)
W 4/26 Paper #3 due at Noon
M 5/2 Limits of the Transformation
Sitas,
“The
There will be additional readings.
Screen and discuss in class: Ubu and the Truth Commission