[1] Hildegard of Bingen (1098-1179)

From Ordo Virtutum (“Ritual of the Virtues”; liturgical drama, 12^th century): scene 1

CD: M2000 .H543 O74 1997

Score: handout

 

[2] Three songs of the troubadours / trouvères (12^th-13^th centuries)

   (a) Adam de la Halle (1245-1288), Jeu de Robin et de Marion: “Robins m’aime” (Rondeau)

   (b) Bernart de Ventadorn (1150-1180), “Can vei la lauzeta mover” [NOTE: 2 versions on CD]

   (c) Beatriz de Dia (1140-1212), “A chantar mes al cor” (Canso)

CD: MUSIC 342 CD #1 (tracks 1-4)

Score: handout

 

[3] Attributed to Philippe de Vitry (1291-1361) (authorship now questioned)

Motet: “Garrit gallus / In nova fert / Neuma” (from Le Roman de Fauvel, ca. 1316)

CD: MUSIC 342 CD #1 (track 5)

Score: handout

 

[4] Guillaume de Machaut (1300-1377)

From Messe de Nostre Dame (ca. 1360): “Agnus Dei”

CD: M2011 .G84 M47 1996 and M2011 .G84 A6 1989

Score: handout

 

[5] Guillaume du Fay (1397-1474)

Motet: “Nuper Rosarum Flores – Terribilis Est Locus Iste” (1436)

CD:  M2082.D77 V57 1997

Score: handout

 

[6] Josquin des Prez (1450/55-1521)

Motet: “Ave Maria” (ca. 1480)

CD:  M2083.J68 M68 1996 and M2021.W39 R46 1988

Score: handout

 

[7] Jean de Ockeghem (1410-1497)

From Missa Prolationum (ca. 1450): “Kyrie”

CD: MUSIC 342 CD #1 (track 6)

Score: handout

 

[8] Josquin des Prez

From Missa Pange lingua (ca. 1513): “Kyrie”

CD: MUSIC 342 CD #1 (tracks 7-9)

Score: handout

[9] Jacob Arcadelt (1505-1568)

Madrigal: “Il bianco e dolce cigno” (ca. 1530s)

CD: MUSIC 342 CD #1 (tracks 10-11)

Score: handout

 

[10] Cipriano de Rore (1516-1565)

Madrigal: “Da le belle contrade d’Oriente” (ca. 1560s)

CD: MUSIC 342 CD #1 (tracks 12-14)

Score: handout

 

[11] Giovanni Pierluigi da Palestrina (1525-94)

From Missa Papae Marcelli (ca. 1560s): “Credo”

CD: M2082.A33 M57 1990 and M2082.A33 M57 2001

Score: M2011.P25 M38 1975

 

[12] Giulio Caccini (1550-1618)

From Le Nuove Musiche (Florence, 1601):

CD: M3.1 .C23 N86 1990 (Le Nuove Musiche) ¾ “Amor, io parto” and “Dolcissimo sospiro”

CD: M1619 .B25 M88 1992 (Julianne Baird, “Musica Dolce”) ¾ “Ardi, cor mio” and “Dolcissimo sospiro”

Score: handout

 

[13] Carlo Gesualdo (1561-1613)

Madrigal: “Moro, lasso, almio duolo” (ca. 1611)

CD: MUSIC 342 CD #1 (track 15)

Score: handout

 

[14] Monteverdi

From Madrigals, Book V (Venice, 1606):

· I. Cruda Amarilli

· II. O Mirtillo, Mirtill’

· III. Era l’anima mia

Score: M1549 .M74 M34 1986

CD: M1547.M66 M335 2000

 

[15] Claudio Monteverdi (1567-1643)

From L’Orfeo (Mantua, 1608): “Possente spirto” (Orfeo, Act III)

Score: M1500 .M66 O7 1968

CD: M1500.M66 O74 1987

 

[16] Barbara Strozzi (1619-77)

From Arie, Opus 8 (Venice 1664): Serenata (con violini), “Hor che Apollo è a Teti”

Score: M2 W88 1996 v. 2 (Women Composers: Music Through the Ages)
CD: M1613.3 .S948 A75 2000

[17] Henry Purcell (1659-95)

From Dido and Aeneas (London, 1689):

     “Thy hand, Belinda/When I am laid in earth” (Dido’s Act III, scene 2 lament)

Score: M1500 .P98 D4 1986

CD: M1500 .P95 D54 1991 and M1500 .P8 D52x

 

[18] Giovanni Gabrieli (1553-1612)

Concertato motet, “In ecclesiis” (Venice, 1615)

Score: handout

CD: M3.1 .G127 M87 1996 (“Music for San Rocco”)

 

[19] Heinrich Schütz (1585-1672)

Concertato motet, “Saul, Saul, was verfolgst du mich?” (Dresden, 1650)

Score: handout

CD: M2020 .S388 .M88 1988 (Musikalische Exequien)

 

[20] Jean-Baptiste Lully (1632-87)

From Armide (Paris, 1686):

     Overture (to Act I)

     Recitative and air, “Enfin, il est en ma puissance . . . Venez, secondez mes désires” (Act II, Scene 5)

Score: N/A (follow CD libretto instead)

CD: M1500 .L85 A75 1993

 

[21] Elisabeth-Claude Jacquet de la Guerre (1665-1729)

From Suite III in A Minor (pub. Paris, 1687): “Prelude”

CD: M24.J32 P54 1998

Score: handout

 

[22] Francois Couperin (1668-1733)

From Pièces de Clavecin: Vingt-cinquième ordre (pub. Paris, 1713):

     “La Misterieuse” and “La Muse victorieuse”

CD: M22 .C685 P54 2000

Score: handout

 

[23] Arcangelo Corelli (1653-1713)

Concerto Grosso in G minor, Opus 6 no. 8 (Rome, 1714)

Score: M1140 .C663 op 6 no. 8 1937

CD: M1140 .C674 op. 6 1988

 

[24] Antonio Vivaldi (1678-1741)

Concerto in A minor, Opus 3 no. 8 (Venice, 1711)

Score: M1112.V58 E78 1999

CD: M1112 .B2 BWV 1043 1982

 

[25] George Frideric Handel (1685-1759)

From Giulio Cesare in Egitto (London, 1724): “L’empio, sleale, indegno” (Act I)

CD: M1500.H35 G58 1988

Score: M1500.H13 G3 1986

 

[26] Johann Sebastian Bach (1685-1750)

Cantata, “Wächet auf, ruft uns die Stimme,” BWV 140 (Leipzig, 1731)

Score: M3 B3 ser. 1 bd. 27

CD: M2020 B2 BWV140 1989

 

[27] J. S. Bach

From St. Matthew Passion, BWV232 (Leipzig, 1727):

From Part I

· From beginning (Chorus, “Kommt, ihr Töchter, helft mir klagen”) through Alto aria, “Buss und Reu”

From Part II

· From recitative “Auf das Fest aber” through Alto aria, “Können Thränen meiner Wangen”

· Bass aria, “Mache dich, mein Herze, rein”

· Chorus, “Wir setzen uns mit Thränen nieder”

Score: M3 .B3 ser.2 bd.5

CD: M2000 .B2 M38 1989 and M2005.B2 M38 1994 (selections)

 

[28] J. S. Bach

Suite for solo cello No. 5 in C Minor, BWV 1011 (Cöthen, ca. 1720)

Score: M3 .B3 ser.6 bd.2

CD: M52 .B2 BWV 1007-1012 1992

 

[29] J. S. Bach

From Partita #2 for Solo Violin in D Minor (BWV 1004) (1720): Chaconne

CD: M42.B2 S66 1997

Score: M3 .B3 ser.6 bd.1 1958

 

[30] Carl Philipp Emanuel Bach (1714-1788)

Fantasia in Eb Major (1782) and Rondo in C Minor (1785) for solo keyboard

Score: handout

CD (Fantasia): M22 .B18 F36 1988

CD (Rondo): M22 .B18 S66 2001

 

[31] Joseph Haydn (1732-1809)

Piano Sonata in Eb Major, Hob. XVI/52 (1794), first movement

Score: M23.H39 C65 1984 vols. 1 and 2

CD: M21.H67 L38 1990

 

[32] Haydn

Symphony No. 104 in D Major, “London” (London, 1795)

Score: M1001 .H39 no. 2 1949

CD: M1001 .H39 no. 100 1987

 

[33] Wolfgang Amadeus Mozart (1756-1791)

Piano Concerto in D Minor, K.466 (Vienna, 1785)

Score: M1010 .M69 K.459 1900z

CD: M1010 .M69 K.466 1997 and M1010 .M69 K.459 1987

 

[34] Christoph Willibald Gluck (1714-1787)

From Orfeo ed Euridice (Vienna, 1762): “Che faró senza Euridice”

CD: M1505.S3477 H47 1999

Score: M1503.G57 O76 1900z

 

[35] Mozart

From Die Zauberflöte (The Magic Flute) (Vienna, 1791):

· Overture

· Duet (Act I, Pamina and Papageno), “Bei Männern”

· Aria (Act II, the Queen of the Night), “Der Hölle Rache”

CD: M1500.M69 Z38 1996 and M1500.M69 Z38 1991 and  M1500.M69 Z38 1981

Score: M1503.M939 Z32 1944x

 

[36] Mozart

From Le Nozze di Figaro (Vienna, 1786):

· Act II Finale (from Count, “Ersci, ormai, garzon malnato” to end of act)

· Recitativo ed aria (Countess, Act III), “E Susanna non vien! . . . Dove sono”

Score: M1503 .M939 N62 1951 (2 copies are available)

CD: M1500 .M69 N69 1989 and M1500 .M69 N69 1983