Lots of indie-rock artists have attempted incorporating soul influences into their records, but few have ever done it better than NYC’s Chris Lee. His self-titled solo debut, released in 2000, seemed to channel equal parts Al Green and Television. The end result was a scintillating and previously unthinkable combination. Now Lee, 26, has returned with the equally enigmatic pop hybrid Chris Lee Plays & Sings Torch’d Songs Chari-Vari Hymns and Oriki Blue Marches (Smells Like Records).

Expanding upon the three-piece rock of Chris Lee, Plays & Sings draws from an even wider range of influences. Lee credits different working conditions for the increased sonic breadth of his new album, “The first record we just sort of banged out in three days, because that’s all we could do. This album we were able to let it sit and cook for a little bit. We would lay down the basic tracks, and then come up with different ideas for arrangements. If the song called for a horn player or an organist, we were able to bring that in, it helped having that kind of flexibility.”
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