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SCHEDULE of Classes, FALL 2011 CODE Reading assignments should ideally be completed by the date for which they
are first scheduled. |
| IN CLASS: | HOMEWORK: | ||
Wed 9/7 |
For Fri 9/9 Study your syllabus, get your books. |
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| Fri 9/9 Lecture: literary background Old Russian literature; the Baroque |
For Mon 9/12 Familiarize yourself with the texts you've bought and start thinking about written projects! It might be a good idea to go to the library and make copies of the first Handbook background items (see below) to save time later |
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| Mon 9/12 Lecture / discussion: The 18th century: Neoclassicism & Sentimentalism. Narrativity and dialogue. |
For Wed 9/14 READ: * Karamzin, "Poor Liza" (Proffer anthology) * Hammarberg article: "Poor Liza, Poor Erast, Lucky Narrator" MR Skim it--don't let the Russian quotes and words bother you--aim to understand the main points. |
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Wed 9/14
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For Fri 9/16 READ: * Romanticism (Handbook, pp. 372-6 RES) * Rom/Realism contrasts * Lermontov (Handbook, pp. 248-50 RES) * Lermontov: "The Demon," Lermontov, Major Poetical Works, pp.354-415--Engl. only, unless, of course you know Russian!) MR |
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| Fri 9/16 Lecture / discussion: Romanticism: Poetry The Byronic poem I: Lermontov's "The Demon" |
For Mon 9/19 |
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Mon
9/19
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For Wed 9/21 START READING: * Pushkin (Handbook, pp.356-60 RES) * Pushkin: Eugene Onegin |
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| DUE: Your decision: Project I or II?? | |||
Wed 9/21
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For Fri 9/23 READ: * Pushkin (Handbook, pp.356-60 RES) |
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| READ (everybody), ORAL REPORT #1(Rachel Colberg-Parseghian & Emily Rutherford): "Translator's Preface" to Pushkin, A.S. Eugene Onegin, tr. by Douglas Hofstadter, pp. ix-xli. MR and also MR: EOTransl | |||
Fri 9/23 |
Pictures of Imperial Petersburg |
For Mon 9/26 VIEW IF YOU WANT: |
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| ORAL REPORT/ Discussion #1(Rachel & Emily) "EOTransl" and "Pushkin." | READ (Everybody) ORAL REPORT # 2 (Casey Sass & Katherine Monnin): (part of) Emerson Caryl, "The Astonishing Nineteenth Century: Romanticisms," in her The Cambridge Introduction to Russian Literature, Cambridge, Cambridge UP, 2008, pp.99-114. MR | ||
| Mon 9/26 Discussion: Eugene Onegin, conclusions |
For Wed 9/28 Good time to start reading: Lermontov, A Hero of Our Time |
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| ORAL REPORT/DISCUSSION #2 (Casey & Katherine) Romanticisms: Honor Duels | |||
| DUE: Project #I.1 ("Demon") | |||
| Time TBA Film screening: the 1998 English language "Onegin," (dir. Martha Fiennes) with Ralph Fiennes as Onegin and Liv Tyler as Tat'iana. 106 minutes, color. Mac: PG3347.E815 2000 Videotape. After our screening: available in Media Services |
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| Wed 9/28Lecture / discussion: Romanticism: Prose: From novel in verse to prose novel: novelistic structure. |
For Fri 9/30 READ: * Lermontov, A Hero of Our Time |
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Fri 9/30Discussion: |
For Mon 10/3 |
Lermontov, "Taman" |
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| READ (everybody), ORAL REPORT #3 (Johnna O'Keefe & Rachel Colberg-Parseghian), Powelstock David, (part of) "Sincere Lies: Irony and Seduction in Hero of Our Time," in his Becoming Mikhail Lermontov: Ther Ironies of Romantic Individualism in Nicholas I's Russia, Evanston, IL, Northwestern UP, 2005, pp. 343-71. Powelstock-Hero and Powelstock 2 NOTE: This was scanned in two parts) both in MR | |||
| Mon 10/3 Discussion: A Hero of Our Time; Imperialism and literature, conclusions |
For Wed 10/5 READ: * Pushkin: "The Queen of Spades" (Proffer anthology) |
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| ORAL REPORT/DISCUSSION # 3 (Johnna & Rachel). Powelstock-Hero and Powelstock 2 | READ (everybody), ORAL REPORT #4 (Emily & Casey): * P. Scotto article: "Prisoners of the Caucasus: Ideologies of Imperialism in Lermontov's 'Bela,'" in PMLA 107,2 (1992): 246-60. MR |
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| Wed 10/5 Lecture / discussion: Pushkin's prose; "The Queen of Spades" (with Chardynin film) |
For Fri 10/7 READ: * Pushkin: "The Queen of Spades" (Proffer anthology) Check our a Grateful Dead piece that one of my former students alerted me to--it is uncannily similar to Pushkin! |
Pushkin's Petersburg |
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| ORAL REPORT/ Discussion #4 (Emily & Casey): Scotto article on "Bela" |
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DUE: Project #I.2 DUE: Project #II: Theme/Title |
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| Fri 10/7 Discussion: Pushkin: "The Queen of Spades," conclusions. |
For Mon 10/10 (or any time) VIEW IF YOU WANT (Media Services): * Operatic version: Tchaikovsky's version on video will be placed on reserve in the Media Serv. This is the 1992 Glyndebourne Festival opera production, featuring three top Russian singers: Yurii Marusin sings Hermann, Sergei Leiferkus sings Tomskii, and Dmitrii Kharitonov sings Eletskii (whose role here is expanded). Nancy Gustafson sings Lisa and Felicity Palmer sings the Countess. Quite different view of Pushkin than Chardynin's! (color, 171 mins) (Mac: MEDIA SERVICES ML 50.C435 Q446 1992) *The 2007 Metropolitan Opera version (with Reneé Fleming and Dmitrii Khvorostovskii). |
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| Mon 10/10 Lecture / discussion: The Natural School & Gogol; |
For Wed 10/12 |
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| Wed 10/12 Discussion: Gogol "The Nose" |
For Fri 10/14 FINISH READING: *Gogol, "The Nose" |
Gogol's Petersburg |
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| Fri 10/14 Discussion: "The Nose," conclusions |
For Sun 10/16 |
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Sun 10/16, 2-4 pm (replaces Wednesday's class) Clips from Shostakovich's opera "The Nose" as performed last year at the Met in NY |
For Mon 10/17 Finish "The Overcoat" |
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| READ (everybody), ORAL REPORT #5 (Katherine & Johnna): * Eikhenbaum, Boris, "How Gogol's 'Overcoat' is Made," Trahan, Elizabeth, ed. Gogol's "Overcoat": An Anthology of Critical Essays, Ann Arbor, MI, Ardis, 1982, pp. 21-36. MR |
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| Mon 10/17 Discussion: Gogol': "The Overcoat" & Formalist critics |
For Fri 10/21 You will have a bibliographical instruction session at the library. READ for Mon 10/24: Review readings (through "Overcoat" and Eikhenbaum) for Midterm exam on Monday |
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| ORAL REPORT / Discussion # 5 (Katherine & Johnna): "Eikhenbaum" |
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Fri 10/21 Bibliographical instruction in the library with Johan Oberg. Meet at the library Lower ROOM 206,
at our usual class time. This session is tailor-made for Russian literature
and will tell you about the tools of the trade. Attendance required. |
For Mon 10/24 STUDY FOR MIDTERM |
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| Mon 10/24 MIDTERM EXAM (covers everything through "The Overcoat") |
For Wed 10/26 Prepare to discuss film version of "The Overcoat" |
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| Wed 10/26 Wrap-up Gogol: We will screen the Soviet film version of "The Overcoat"--with the great Rolan Bykov as Akakii Akakievich. The film runs 73 mins, so we will have to start a few minutes early and end a few minutes late--hope this is possible for all! The film will be placed in Media Services afterwards so you can screen it a second time individually. |
For Mon 10/31 READ: * Realism (Handbook, pp.363-67 RES) * Turgenev(Handbook, pp.488-89 RES) START READING: * Turgenev: Fathers and Sons |
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FALL BREAK: Thurs 10/27-Sun 10/30 |
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| Mon 10/31 Lecture / discussion: Realism: Turgenev |
For Wed 11/2 READ: * Turgenev: Fathers and Sons |
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| Wed 11/2 Discussion: Fathers and Sons |
For Fri 11/4 READ: * Turgenev: Fathers and Sons |
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| Fri 11/4 Discussion: Fathers and Sons--continuation |
For Mon 11/7 READ (everybody) ORAL REPORT # 7 (Emily): Pam Morris, "Fathers and Sons and 'The Woman Question'," |
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| Mon 11/7 Discussion: Fathers and Sons, conclusions & reactions by contemporaries |
For Wed 11/9 READ: * Dostoevsky (Handbook, pp.102-8 RES) * Dostoevsky: Notes From Underground, Part I READ IF YOU WANT: * N. G. Chernyshevsky: "From What's to be Done?" in Dostoevsky, Notes, pp.99-117. |
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ORAL REPORT / Discussion # 6 (Rachel): ORAL REPORT / Discussion # 7 (Emily): Pam Morris, "F & S and the 'Woman Question',"and Richard Stites, "Nihilism and Women," both in Fathers and Sons, pp. 280-89 |
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Wed 11/9 |
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Fri 11/11 |
For Mon 11/14 READ (everybody), ORAL REPORT # 8 (Casey): * Mikhail Bakhtin, "Discourse in Dostoevsky," in appendix to Notes from Underground, pp. 146-156 |
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| Mon 11/14 Discussion 1: Dostoevsky, Notes from Underground conclusions. The dialogic form; the possibility of totally honest confession. |
For Wed 11/16 READ: * Dostoevsky, Crime and Punishment, Parts 1 and 2 Discussion themes: Dostoevsky's general approach to Realism Raskolnikov's divided personality & his family (metonymic description) Murder & Space Murder & Time Murder & Action |
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| ORAL REPORT/DISCUSSION # 8 (Casey): Mikhail Bakhtin, "Discourse in Dostoevsky" |
READ (everybody) & ORAL REPORT # 9 (Katie) Christa, Boris, "Dostoevskii and Money," in W. J. Leatherbarrow, ed. The Cambridge Companion to Dostoevskii, Cambridge, Cambridge UP, 2002, pp. 93-110. MR | ||
Discussion: Dostoevsky: Crime and Punishment 1-2. |
For Fri 11/18 READ: * Dostoevsky, Crime and Punishment, Parts 3 and 4 Discussion Themes: Composition Characters & composition Raskolnikov's doubles emerge 3 plot lines emerge: Raskolnikov family plot Marmeladov family plot Porfiry & Murder plot |
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| ORAL REPORT/DISCUSSION # 9 (Katie). Christa-Dostoevskii-Money | |||
| DUE: Project I.3 (Gadget/machine/apparel or your "Notes") | |||
| Fri 11/18 I will be at the ASEEES CONFERENCE: Take the day for reading! |
For Mon 11/21 Discussion Themes: |
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| Mon 11/21 Discussion: Dostoevsky: Crime and Punishment, 3-4 |
For Wed 11/23 READ (everybody) ORAL REPORT # 10 (Johnna) Moravia, Alberto, "The Marx-Dostoevsky Duel" in Crime and Punishment, pp. 619-22 Pereverzev, V., ["A Marxist Summing-up of Dostoevsky"] in Crime and Punishment, pp. 623-24 USSR Ministry of Culture on Dostoevsky at Russian Universities in 1953,1955, 1984, in Crime and Punishment, pp.624-28 READ if you want: Michael Holquist, "Puzzle and Mystery, the Narrative Poles of Knowing: Crime and Punishment" in Crime and Punishment, pp. 565-70 |
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| Wed 11/23 Discussion: Dostoevsky: Crime and Punishmen, 5-6-Epilogue; Dostoevsky & Crime and Punishment, Christianity/Marxism Conclusions |
For Mon 11/28 |
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| ORAL REPOPT / Discussion # 10 (Johnna) Moravia, Alberto, "The Marx-Dostoevsky Duel" Pereverzev, V., ["A Marxist Summing-up of Dostoevsky"] USSR Ministry of Culture on Dostoevsky at Russian Universities in 1953,1955, 1984 |
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| Project II: Outline & bibliography due | |||
Evening screening (if time allows!)--time/place to be discussed: with clips from: Lev Kulidzhanov, Crime and Punishment, Russian version (1970, 224 mins black & white, starting at 6pm) the print is bad: no sound, illegible subtitles skinny rectangle on square screen. . . Still this is the version I'd recommend as the closest to Dostoevsky's original and with great acting by Georgi Taratorkin as Raskolnikov and (esp.!) Innokenty Smoktunovsky as Porfiry. Russian with (illegible) English subtitles. Mac: PG3326.P747 1989 videotape, pt. 1-2 Josef von Sternberg, Crime and Punishment (Columbia Pictures, 1935, 88 min). This version takes us far afield from Dostoevsky, from Rodion Romanovich to Roderick, from Svidrigailov to "Grilov," from the axe to a poker as the murder weapon, etc. etc.--amusing in its own way, but NOT Dostoevsky. Memorable mostly for Peter Lorre's vivid over-acted terrific Raskolnikov (both in his coolest and his maddest aspects) and Edward Arnold as the memorable detective. This one is in English. Mac: PG3326.P74713 1993 The recent Bravo/Gala Film version, directed by Julian Jarrold, produced by David Snodin, starring: John Simm, Iam McDiarmid, Shaun Dingwall, etc. etc.(4 hours taped with commercials, alas) |
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THURS 11/24-SUN 11/27 THANKSGIVING BREAK |
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| Mon11/28 Lecture: Realism, the novel, & Tolstoy's Anna Karenina. |
For Wed 11/30 READ: * Tolstoy (Handbook, pp. 476-80 RES) * Tolstoy, Anna Karenina Ideally you should have finished the novel by now--otherwise the plot might be revealed before you know how it ends. . . An in-depth analysis of the novel is impossible in a survey class and we will focus on a few aspects of it. Think about the following as you read: **Gender questions (Tolstoy's ideas about women, women in 19th-century Russia, representations of women in literature ** Social hierarchies **Moral hierarchies ** Dual plot structure and parallel characters **The metonymic principle **Animal symbolism ** Railroad symbolism |
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| Wed 11/30 Discussion: Anna Karenina |
For Fri 12/2
READ: |
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| VIEW IF YOU HAVE TIME: Anna Karenina--Mac owns 4 versions (available as usual in Media Services after screening): • US; Dir. Clarence Brown, prod. David Selznick; Based on Eugene O’Neill play with Greta Garbo, Fredric March Freddie Bartholomew, Maureen O’Sullivan. B&W 1930, 96 min. PG3366.A663 1990 • US; Alexander Korda production with Vivien Leigh, Kieron Moore, Ralph Richardson, Sally Ann Howes, Hugh Dempster; B&W, 1948, 111 min. PG3366.A663 1994 videotape • US, Dir. Simon Langton, with Jacqueline Bisset, Christopher Reeve, & Paul Scofield, color, 96 min., 1985 film. PG3366.A645 1990 vidseotape • USSR, Mosfilm, 1988. Photography: Kalashnikov; dir.: Aleksandra Zarkhi; actors: Tatiana Samoilova, Nikolai Gritzenko, Vasilii Lanovoi. Video 1997, color, 103 min PG3366.L488 1997 |
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| Fri 12/2 Discussion: Anna Karenina |
For Mon 12/5 |
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| Mon 12/5 Discussion: Anna Karenina |
For Wed 12/7 FINISH READING: *Tolstoy, Anna Karenina |
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| DUE: Project II drafts--final deadline for feedback | |||
| Wed 12/7 Discussion: Anna Karenina--conclusions |
For Fri 12/9 |
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| Fri 12/9 Lecture/Discussion: Chekhov and Neo-Realism; The Seagull |
For Mon 12/12 |
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Mon12/12 |
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| DUE: Project I.4 (movie review) DUE: Project II: final version |
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| Wed 12/14 STUDY DAY |
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FINAL EXAM Friday December 16 1:30-3:30 Covers material we've read/discussed after Midterm only. |
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Last updated 10/14, 2011