
M-W-F 10:50-11:50 in H216
(will be adjusted and refined as needed in class--it's up to you to keep abreast of any changes)
| Mon Jan 23 Introductions and organization Lecture: 19th-century Russia; historical-cultural background |
Homework for Wed: |
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| Wed Jan 25 Lecture: Historical -cultural background, continued; Gogol, biographical context I |
Read for Fri:
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| Fri Jan 27 |
Read for Mon: |
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| Mon Jan 30 |
Read for Wed: |
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Wed Feb 1 |
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| Fri Feb 3 |
Pictures from Imperial St. Petersburg |
Read for Mon: Gogol: "Nevsky Prospect" in The Collected Tales of Nikolai Gogol , pp.245-78 |
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Gogol's St. Petersburg |
Mon Feb 6
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Read for Wed:
Gogol's "The Nose" as imagined by children's book illustrator
Gennadii Spirin
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Wed Feb 8 (Meet
in Library room 206 on the second floor) The library staff has constructed a resource page for this specific class--check it put! (http://libdata.macalester.edu/page.php?page_id=113) |
Read for Fri: |
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| Fri Feb 10
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Read for Mon: Read if you want: |
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| Project decisions due: Long or Short projects? | |||
Mon Feb 13 |
Read for Wed: |
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Wed Feb 15
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Read for Fri: Start reading: *Gogol, Dead Souls Discussion topics: |
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| Tues evening 2/ 21 at 6 pm dinner(vegetarian mostly) at my house (1814 Lincoln Ave) screening of Metropolitan opera sets for Gogol's "Nose" and possible screening of "The Overcoat" (Dir. A.Batalov, Roland Bykov in the role
of Akakii Akakievich, black and white, 73 mins. If this is not techically possible at my house we'll figure out either collective screening or individual ones in the Media Center. As you watch the film, pay attention to what is changed from the written text--what did the director expand, omit, invent? How did he render cinematically (camera angle, point of view, use of space, use of visual effects, use of sound, plot structuring, etc.) what Gogol rendered as written text? Where is the viewer in the film? |
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| Fri Feb 17 |
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| Short Project # 1 due: Mac-Overcoat | |||
| Mon Feb 20
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Finish reading for Wed: |
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![]() Ladies "agreeable in all respects" in Gogol, as imagined by A. Laptev, illustrator of N. V. Gogol, Vechera na khutore bliz Dikan'ki (Evenings on a Farm Near Dikanka), Moscow: Gos. Izd. Khudozhestvennoi literatury, 1960
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Wed Feb 22
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Chichikov and his box (Left) as imagined by Petr Sokolov, illustrator for Gogol, N. V. Mertvye Dushi. Poema. Chast' pervaia. (Dead Souls. Epic Poem. Part One.), Moscow-Leningrad: OGIZ Gos. Izd. Khudozhestvennoi literatury, 1947. Finish reading by Mon (if you haven't by now): |
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| Read for Mon: *ORAL PRESENTATION #5 Epshtein article: Hilary Lakin (Moodle Readings) |
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| Fri Feb 24 Discussion: Dead Souls |
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| Short Project # 2 due: Obituary on Gogol character | |||
| Mon Feb 27 |
Read for Wed: |
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| Long Project: Topic Decisions | |||
| Wed Feb 29 |
Study for Midterm exam Keep Reading: Dostoevsky: Poor Folk |
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| Short Project # 3 due: Comic strip Dead Souls | |||
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Fedor Mikhailovich Dostoevsky: Oil portrait by V. Perov, 1872 |
Nikolai Vasil'evich Gogol |
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Fri Mar 2 |
Read for Mon: |
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| Mon Mar 5 Discussion: Poor Folk : Dostoevsky as critic of Gogol |
Read for Wed: * Poor Folk Suggested reading: Leatherbarrow article (Moodle Readings) |
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| Wed Mar 7 |
Read for Fri: |
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| Fri Mar 9 |
Read for Mon:
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SPRING BREAK Sat March 10- Sun March 18 |
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Read for Wed: * Dostoevsky, The Village of Stepanchikovo |
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| Wed Mar 21 |
Finish reading: * Dostoevsky, The Village of Stepanchikovo |
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| Fri Mar 23 |
Read: * Dostoevsky, Notes from Underground in Great Short Works (at least Part I) * ORAL PRESENTATION #6 Bakhtin article: Charles (Moodle Readings) |
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| Mon Mar 26 |
Read for Wed: *Dostoevsky, Notes from Underground in Great Short Works (Part II) Suggested Reading: *Weisberg article (Moodle Readings) * the full text to Nekrasov poem |
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Wed Mar 28 |
Finish reading for Fri: *Dostoevsky, Notes from Underground (Part II) |
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| Fri Mar 30 |
Read for Mon: |
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| Mon Apr 2
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Read for Wed: *The Gambler |
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| Wed Apr 4--CLASS MOVED TO TUES evening: 6-8 pm in H 212. |
Read for Mon:
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DUE: WEDNESDAY (by e-mail) Short Project # 4 due: contemporary theme in Notes style
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| Long Project: last day for feedback on bibliography and outline | |||
ON RESERVE IN MEDIA CENTER: FILMS of Crime and Punishment (which we will not read in this class!) FULL SCREENING of the French version, This is one of the masterpieces of Pierre Chenal, (1935, black & white, 110 minutes) with Pierre Blanchard as Raskolnikov and Harry Baur as the detective, Porfiry--both superb performances. French with English subtitles Mac: PG 3326.P74714 1989 videotape AND sample clips from: Lev Kulidzhanov, Crime and Punishment, Russian version (1970, 224 mins black & white, starting at 6pm) the print is bad: no sound, illegible subtitles skinny rectangle on square screen. . . Still this is the version I'd recommend as the closest to Dostoevsky's original and with great acting by Georgi Taratorkin as Raskolnikov and (esp.!) Innokenty Smoktunovsky as Porfiry. Russian with (illegible) English subtitles. Mac: PG3326.P747 1989 videotape, pt. 1-2 Josef von Sternberg, Crime and Punishment (Columbia Pictures, 1935, 88 min). This version takes us far afield from Dostoevsky, from Rodion Romanovich to Roderick, from Svidrigailov to "Grilov," from the axe to a poker as the murder weapon, etc. etc.--amusing in its own way, but NOT Dostoevsky. Memorable mostly for Peter Lorre's vivid over-acted terrific Raskolnikov (both in his coolest and his maddest aspects) and Edward Arnold as the memorable detective. This one is in English. The recent Bravo/Gala Film version, directed by Julian Jarrold, produced by David Snodin, starring: John Simm, Iam McDiarmid, Shaun Dingwall, etc. etc.(4 hours taped with commercials, alas) All will be placed on Media Services Reserve after our screenings, should you want to see more. |
For Mon: Start reading The Idiot |
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| Fri Apr 6 |
Read for Wed: |
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| Mon Apr 9 Lecture: Dostoevsky, Biographical update: travel abroad, financial situation, plans for The Idiot Discussion: The Idiot |
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| Wed Apr 11: |
Read for Fri: * Dostoevsky, The Idiot ORAL PRESENTATION #7: Collin Crane: Johnson article (Moodle Readings) |
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| FILM held in Media Services for individual (or joint??) screening
on the Mac premises: Akira Kurosawa's The Idiot (Japan 1951, 166 min, b&w.) Kurosawa has stated that Dostoevsky is his favorite author and he transposes The Idiot to post-war Japan and sets it among raging blizzards and claustrophobic madly lit interiors. He fashions an expressionistic vision of passion and, by the end, a heartbreaking plea for simplicity and goodness (all the above according to the video jacket). We meet the main character Myshkin/Kameda 10 days after he has been mistaken for a war criminal, sentenced to death by mistake, and then released from an American prison camp. The near-death experience has shaken him menttally and induced epilepsy/madness. Other characters: Rogozhin - Akana The Epanchins - Onos (less one sister) Ganya Ivolgin - Kayama Totsky - Tohata Nastasya Filippovna - Taeko Nasu Aglaia - Ayako Kolya Ivolgin - Kaori St. Petersburg - Hokkaido Moscow - Tokyo |
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| Fri Apr 13
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Read for Mon:
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| Long Projects: last day for feedback on drafts | |||
| Mon Apr 16 |
Read for Wed: The Brothers Karamazov, Part II
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| Wed Apr 18 Discussion: The Brothers K. |
Read for Fri: Suggested reading: |
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Fri Apr 19 |
Read for Mon: The Brothers K, Parts III and IV |
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| Long projects: Final copy due | |||
| Mon May Apr 23
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Read for Wed: |
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| Short Project # 5 due: Mothers K | |||
| Wed Apr 25 Discussion: The Brothers K |
Read for Fri: The Brothers K |
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| Fri April 27 Discussion: The Brothers K |
Finish reading for Mon: The Brothers Karamazov Suggested reading: *Malcom Jones article (Moodle Readings) |
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| Mon April 30 Discussion, further thoughts, and conclusions of The Brothers K; Malcom Jones article |
Study for Final Exam on Saturday May 5, 10:30-12:30 in H216 | ||
| Wed May 6: STUDY DAY | |||
| Saturday May 5 at 10:30- 12:30 FINAL EXAM in our usual room H216 |
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Last modified: 3/30, 2012