{"id":162,"date":"2019-07-17T17:09:32","date_gmt":"2019-07-17T17:09:32","guid":{"rendered":"https:\/\/www.macalester.edu\/160-art\/studentwork\/"},"modified":"2026-01-20T19:08:53","modified_gmt":"2026-01-20T19:08:53","slug":"studentwork","status":"publish","type":"page","link":"https:\/\/www.macalester.edu\/art\/studentwork\/","title":{"rendered":"Student Work"},"content":{"rendered":"
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\n\t\t\tGabi Estrada, Ceramics<\/span>\n\t\t\t
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\n\t\t\tShichen Zhang, Photography<\/span>\n\t\t\t
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\n\t\t\tWork from the Printmaking 1 Class, Spring 2020<\/span>\n\t\t\t
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\n\t\t\tRebecca Edwards, Character Studies for Original Picture Book Spread<\/span>\n\t\t\t
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\n\t\t\tArt History Students at the Weisman Museum of Art, Minneapolis, MN, Photo Credit: Joanna Inglot<\/span>\n\t\t\t
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\n\t\t\tKate Weithers, Painting<\/span>\n\t\t\t
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\n\t\t\tSamuel Fleming, Drawing<\/span>\n\t\t\t
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\n\t\t\tTobias Gilbert, Sculpture<\/span>\n\t\t\t
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\n\t\t\tMolly Adams, Arrow Reflection, Photography<\/span>\n\t\t\t
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\n\t\t\tPrintmaking 1 Student Feedback Session, Spring 2020<\/span>\n\t\t\t
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\n\t\t\tMariah Sitler, Illustration for NY Times Article, “The Unbearable Heaviness of Clutter”<\/span>\n\t\t\t
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\n\t\t\tMarika Sullivan, 2D Design<\/span>\n\t\t\t
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\n\t\t\tMinya Shidhaye, Ceramics<\/span>\n\t\t\t
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\n\t\t\tAlia Benedict, Drawing<\/span>\n\t\t\t
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\n\t\t\tQinyang Liu, Drawing<\/span>\n\t\t\t
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\n\t\t\tPalm Sized Sculpture Exhibition Poster, 2020<\/span>\n\t\t\t
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\n\t\t\tLong Nguyen, Photography<\/span>\n\t\t\t
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\n\t\t\tPrintmaking 1 Outdoor and Distanced COVID Clothesline Exhibition, Fall 2020<\/span>\n\t\t\t
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\n\t\t\tMalini Basu, Illustration for David Elliott’s Poem, “The Rooster”<\/span>\n\t\t\t
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\n\t\t\tHarriet Bart Talking to Students at the Weisman Art Muesum, Minneapolis, MN, Photo Credit: Professor Joanna Inglot<\/span>\n\t\t\t
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\n\t\t\tMaggie Panetta, 2D Design<\/span>\n\t\t\t
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\n\t\t\tManya Jacobson, Ceramics<\/span>\n\t\t\t
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\n\t\t\tPhu\u0301c Nguyen, Drawing<\/span>\n\t\t\t
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\n\t\t\tLeen Diab, Sculpture<\/span>\n\t\t\t
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\n\t\t\tKate Skalicky, Self Portrait, Photography<\/span>\n\t\t\t
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\n\t\t\tBLM at Mac, 2020<\/span>\n\t\t\t
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\n\t\t\tIvy Flemmer, Illustration for Italo Calvino’s Short Story, “Cities and Eyes 1” from “Invisible Cities”<\/span>\n\t\t\t
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\n\t\t\tHarriet Bart Talking to Students at the Weisman Art Muesum, Minneapolis, MN, Photo Credit: Professor Joanna Inglot<\/span>\n\t\t\t
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\n\t\t\tKim Jin, 2D Design<\/span>\n\t\t\t
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\n\t\t\tKayla Ortner, Ceramics<\/span>\n\t\t\t
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\n\t\t\tMaggie Jaenicke, Painting<\/span>\n\t\t\t
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\n\t\t\tPeace Im, Drawing<\/span>\n\t\t\t
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\n\t\t\tLarsen Husby, Sculpture<\/span>\n\t\t\t
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\n\t\t\tCarmen Bustamante, Photography<\/span>\n\t\t\t
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\n\t\t\tPrintmaking Students Drawing on Intaglio Plates, 2017<\/span>\n\t\t\t
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\n\t\t\tGrace Jones, Illustration for NY Times Article, “Letter of Recommendation Squirrels”<\/span>\n\t\t\t
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\n\t\t\tEsther Ramsay, 2D Design<\/span>\n\t\t\t
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\n\t\t\tElle Weeks, Ceramics<\/span>\n\t\t\t
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\n\t\t\tKendall Dickinson, Painting<\/span>\n\t\t\t
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\n\t\t\tEmma Thole, Drawing<\/span>\n\t\t\t
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\n\t\t\tMike Fausz, Sculpture<\/span>\n\t\t\t
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\n\t\t\tAlexandria Ang, Studio Portrait, Photography<\/span>\n\t\t\t
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\n\t\t\tEmily North, Illustration for Real Simple Article, “8 Tips for Taking Your Holiday Feast Outdoors”<\/span>\n\t\t\t
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\n\t\t\tEmily Shang, 2D Design<\/span>\n\t\t\t
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\n\t\t\tEliza Neidhart, Ceramics<\/span>\n\t\t\t
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\n\t\t\tLindsey Lohman, Painting<\/span>\n\t\t\t
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\n\t\t\tEmily TahaBurt, Drawing<\/span>\n\t\t\t
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\n\t\t\tJulia Eshaghpour, Sculpture<\/span>\n\t\t\t
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\n\t\t\tAilsa Burke, Environmental Portrait – Anna Kleven, Photography<\/span>\n\t\t\t
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\n\t\t\tEma Erikson, Illustration for NY Times Article, “Wasn’t It Winter Just Yesterday”<\/span>\n\t\t\t
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\n\t\t\tCole Chang, 2D Design<\/span>\n\t\t\t
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\n\t\t\tElena Baker, Ceramics<\/span>\n\t\t\t
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\n\t\t\tGina Qian, Sculpture<\/span>\n\t\t\t
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\n\t\t\tZarra Marlowe, Painting<\/span>\n\t\t\t
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\n\t\t\tAndrew Flynn, Sculpture<\/span>\n\t\t\t
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\n\t\t\tFan Zhang, Painting<\/span>\n\t\t\t
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\n\t\t\tAriana Zaia, Ebb and Flow, 2016, Raku Fired White Earthenware, Wire, Magnets, Wood, Sand, 42 x 42 x 420 in.<\/span>\n\t\t\t
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\n\t\t\tEgzon Sadiku, Alter Ego 1, 2014, Ceramic Tile, White Earthenware<\/span>\n\t\t\t
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\n\t\t\tNatalie Kasper, Wooden Mass, 2014, Bass Wood<\/span>\n\t\t\t
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\n\t\t\tSherry Muyuan He, Dancing Cats Coloring Wallpapers, 2015, Wallpaper, 44 x 96 in.<\/span>\n\t\t\t
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\n\t\t\tEmma Klajbor, Cocoon Series, 2014, Installation View<\/span>\n\t\t\t
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\n\t\t\tPhoebe Mol, illustration for the poem, “God’s World,” by Edna St. Vincent Millay.<\/span>\n\t\t\t
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Art History Capstone Projects<\/h2>\n\n\n\n
Author<\/th>Title<\/th>Link<\/th>Year<\/th><\/tr><\/thead>
Rebecka Ibarra <\/span><\/td>Conversion and Convergence in Hilma af Klint\u2019s <\/span>The Dove Series <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2022<\/span><\/td><\/tr>
Nicole Salazar<\/span><\/td>Nostalgia Andina and Recuperating History: 1920s Indigenismo and Contemporary Indigenous <\/span><\/td>capstone<\/span><\/a><\/td>2022<\/span><\/td><\/tr>
Mali Cassak<\/span><\/td>A Most Sinister Deprivation: Memory and Trauma in the work of Mona Hatoum<\/span><\/td>capstone<\/span><\/a><\/td>2022<\/span><\/td><\/tr>
Puze Wang <\/span><\/td>Imagining Possibilities: Heterotopia in the works of Cao Fei and Chen Chieh-jen<\/span><\/td>capstone<\/span><\/a><\/td>2022<\/span><\/td><\/tr>
Jiwen Fan<\/span> <\/b><\/td>Transcending the Corporeal: Genders and Sexes at the Tillya Tepe Necropolis <\/span><\/td>capstone<\/span><\/a><\/td>2022<\/span><\/td><\/tr>
Chloe McWhirt <\/span><\/td>Architectural Exposure: The Deconstructive Value of Gordon Matta-Clark\u2019s Photographic Work <\/span><\/td>capstone<\/span><\/a><\/td>2021<\/span><\/td><\/tr>
Felipe Fernandez <\/span><\/td>Tools of Mourning: Doris Salcedo, Alfredo Jaar, and the Archives of Memory <\/span><\/td>capstone<\/span><\/a><\/td>2021<\/span><\/td><\/tr>
Nora Stewart <\/span><\/td>\u201cEver seething underneath!\u201d: <\/span>Ghada Amer\u2019s Hybridized <\/span>E\u0301criture Feminine <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2021<\/span><\/td><\/tr>
Essie Little<\/span><\/td>Cultural Implications of Diaphanous and \u201cWet-Look\u201d Dress in Classical Greek Art <\/span><\/td>capstone<\/span><\/a><\/td>2020<\/span><\/td><\/tr>
Jianda Wang <\/span><\/td>EMBODYING RESISTANCE: <\/span>THE PERFORMANCE ART OF MA LIUMING, ZHANG HUAN, AND HE YUNCHANG <\/span><\/td>capstone<\/span><\/a><\/td>2020<\/span><\/td><\/tr>
Joanna Seifter <\/span><\/td>Good and Bad Mothers: Giovanni Segantini\u2019s Dichotomous Representation of Women in Post-Risorgimento Italy<\/span> <\/span><\/td>capstone<\/span><\/a><\/td>2020<\/span><\/td><\/tr>
Maya Varma<\/span><\/td>NALINI MALANI\u2019S <\/span>MEDEA PROJECT<\/span><\/i>: <\/span>GENDER AND NATIONHOOD IN POSTCOLONIAL INDIA <\/span><\/td>capstone<\/span><\/a><\/td>2020<\/span><\/td><\/tr>
Eleanor Beaird<\/span><\/td>Nostalgia and the Colonial Gaze in Gertrude Ka\u0308sebier\u2019s Photography of Native Americans <\/span><\/td>capstone<\/span><\/a><\/td>2019<\/span><\/td><\/tr>
Ellie Hohulin<\/span><\/td>Marcel Marie\u0308n: Between Belgian Surrealism and Situationism <\/span><\/td>capstone<\/span><\/a><\/td>2019<\/span><\/td><\/tr>
Stephanie Rice-Hoffner<\/span><\/td>Ellsworth Kelly: Loving Raillery<\/span><\/i><\/td>capstone<\/span><\/a><\/td>2019<\/span><\/td><\/tr>
Andy Kaesermann<\/span><\/td>From B-boys to Gold Leaf Gundam: Paintings of Tenmyouya Hisashi <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2016<\/span><\/td><\/tr>
Kasey McMaster<\/span><\/td>The Maid and the Servant: Class Mobility in the Representation of Working-Class Women in Berthe Morisot\u2019s Paintings <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2016<\/span><\/td><\/tr>
Camille Erickson<\/span><\/td>Toward a Transnational Queer Futurity: <\/span><\/i>The Photography of Catherine Opie, Zanele Muholi, and Jean Brundrit <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2014<\/span><\/td><\/tr>
Maya Aguayo Schmidt-Feng <\/span><\/td>\u201cMaking Whiteness Strange\u201d in the Post-Apartheid Art of Candice Breitz and Kendell Geers <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2014<\/span><\/td><\/tr>
Michelle Lee<\/span><\/td>Capturing Queerness: The Re-presentation and Performativity of Asian American Sexualities <\/span><\/i><\/td>capstone<\/span><\/a><\/td>2014<\/span><\/td><\/tr><\/tbody><\/table><\/figure>\n\n\n\n
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Macalester students can enroll in any entry-level art studio or art history course\u2014no experience is required. Classes are taught by professional artists and scholars, and our urban location allows classes to take field trips to many galleries and major museums. Macalester students are in demand as interns at the Twin Cities’ nonprofit arts organizations, including the Northern Clay Center, the Minnesota Center for Book Arts, the Minnesota History Center, the Minneapolis Institute of Arts, and the Walker Art Center.<\/p>\n\n\n\n

Advanced students may have opportunities to collaborate on research projects with professors, present at national conferences, and attend specialized workshops and seminars. Students receive the background and skills they need to win competitive opportunities such as an internship at the Peggy Guggenheim Museum in Venice or attendance at an undergraduate printmaking conference at Tokyo Fine Arts University.<\/p>\n\n\n\n

Work-study opportunities in the art and art history department provide students with hands-on skills, which may directly benefit those wishing to go on in art or art history. (See the After Macalester section for an impressive list of graduate programs, jobs, fellowships, and grants won by our alumni.)<\/p>\n\n\n\n

Studio art students can participate in an annual juried exhibit held in the gallery. Each spring, art history majors present original capstone research projects in a public lecture while the studio art students\u2019 capstone project consists of an exhibition of original artwork in the Law Warschaw Gallery.<\/p>\n\n\n\n

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Art Alliance<\/h2>\n\n\n\n

This student-run organization plans special activities and workshops for those with a common interest in Studio Art. <\/p>\n\n\n\n

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Art History Club<\/h2>\n\n\n\n

The Art History Club is a student-run organization that plans special activities for art history majors, minors and any interested non-majors.  The club meets several times per semester to visit galleries and museum exhibitions, watch films, and carry on discussions about art.<\/p>","protected":false},"excerpt":{"rendered":"

Art History Capstone Projects Author Title Link Year Rebecka Ibarra  Conversion and Convergence in Hilma af Klint\u2019s The Dove Series  capstone 2022 Nicole Salazar Nostalgia Andina and Recuperating History: 1920s Indigenismo and Contemporary Indigenous  capstone 2022 Mali Cassak A Most Sinister Deprivation: Memory and Trauma in the work of Mona Hatoum capstone 2022 Puze Wang  […]<\/p>","protected":false},"author":913,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-162","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/pages\/162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/users\/913"}],"replies":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/comments?post=162"}],"version-history":[{"count":23,"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/pages\/162\/revisions"}],"predecessor-version":[{"id":3757,"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/pages\/162\/revisions\/3757"}],"wp:attachment":[{"href":"https:\/\/www.macalester.edu\/art\/wp-json\/wp\/v2\/media?parent=162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}