{"id":242,"date":"2018-01-16T02:41:11","date_gmt":"2018-01-16T02:41:11","guid":{"rendered":"https:\/\/www.macalester.edu\/160-gallery\/dark-ocean\/"},"modified":"2024-04-22T15:57:17","modified_gmt":"2024-04-22T20:57:17","slug":"dark-ocean","status":"publish","type":"page","link":"https:\/\/www.macalester.edu\/gallery\/pastexhibits\/2017-18\/dark-ocean\/","title":{"rendered":"Dark Ocean"},"content":{"rendered":"
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Still from ‘No Flak,’ 2017. Perry Bard and Richard Sullivan<\/figcaption><\/figure>\n\n\n\n

<\/h2>\n\n\n\n

Dark Ocean<\/h2>\n\n\n\n

November 10 \u2013 December 17, 2017<\/h5>\n\n\n\n

In an Information Age, when knowledge is networked and ubiquitous, how are truths discerned and histories recorded? In an era of \u2018alternative facts,\u2019 fast-circulating news, and \u201cfake news,\u201d the ability to understand our world \u2014 what constitutes real information to form knowledge and, ultimately, truths \u2014 seems daunting.<\/p>\n\n\n\n

Rather than extract truths or call out fabrications, this exhibition presents multiple paradigms for information-making: experience and memory, the interview, the courtroom, the library, news media, broadcast, and social media. Together these works describe conditions for the speed and rhetoric of news and social media; our understanding of current events and writing truthful histories; and the manipulation of information, with attention to global conflict, the justice system, and international refugee and humanitarian crises.<\/p>\n\n\n\n

Syed <\/a>Hosain<\/a> explores unfixed histories, traditions, and constructions, of Middle-East geography and his own Muslim identity through painting. Process and material driven, Hosain builds up rich surfaces on canvas creating a tension between recognition and obliteration. He also works into found surfaces, like old encyclopedias and history books, reworking images with additive and subtractive layers of paint, obscuring factual information and imagery to highlight multiple reading and meaning of text and image. Syed Hosain was born in Pakistan and lives and works in South Minneapolis.<\/p>\n\n\n\n

Since moving from Quebec to New York in 1983, Perry Bard<\/a>\u2018s work is fueled by observations of her immediate environment and their interpretations in a global context. The space between fact and fiction, the role of technology, the control of media, its proliferation in public space play out in installations and videos that she has presented internationally. Together with collaborator Richard Sullivan, Bard investigates the alliance of two siblings on either side of the Israeli-Palestine conflict and the absurdity and theater of Twitter.<\/p>\n\n\n\n

Ilona Gaynor<\/a> is a designer and filmmaker whose work draws upon the use of image, rhetoric and cinematic tropes, to construct complexly precise plots, schemes, and narrative texts. Using design as a vehicle, the work aims to manipulate, fantasize and drive forward the invisible, draconian reaches of political, economic, and technological progress and their topologies. The various outcomes presented, often take form as dense hypothetical plot constructions and narrative schematics, that maneuver between artifact, artifice, and representation.<\/p>\n\n\n\n

For Essma Imady<\/a>, being Syrian in today\u2019s climate necessitates a politicized experience. She says, \u201cPolitical art, at its best, asks questions rather than provides answers, it whispers rather then screams.\u201d Imady asserts personal experiences in the face of the collective monolithic experiences of war and religion, using film, environments, and objects, to balance documentation of real, political trauma and layered narratives between her images and objects. Imady currently lives and works in the Twin Cities.<\/p>\n\n\n\n

Hakan Topal<\/a>\u2019s interdisciplinary approach incorporates research that blurs the boundaries between art, technology, and social sciences, in an effort to cross-examine the historical and contemporary particularities of geopolitical contexts. By multiple informative layers subjects or situations, Topal brings visibility to their inherent incongruities and complexities.<\/p>\n\n\n\n

Curated by Jehra Patrick<\/p>\n\n\n\n

Public Programs<\/h3>\n\n\n\n

Opening Reception<\/p>\n\n\n\n

November 10, 7 \u2013 10 pm<\/p>\n\n\n\n

An evening to commemorate the exhibition and meet the artists.<\/p>\n\n\n\n

Public Discussion<\/p>\n\n\n\n

November 10, 8 pm<\/p>\n\n\n\n

Artists Hakan Topal and Perry Bard discuss the media\u2019s impact on public understanding.<\/p>\n\n\n\n

Public Discussion<\/p>\n\n\n\n

December 7, 7 pm<\/p>\n\n\n\n

Artists Essma Imady and Syed Hosain discuss geography, myths, and truths, which have shaped their own studio practices. View the discussion on our YouTube Channel<\/a>.<\/p>","protected":false},"excerpt":{"rendered":"

Dark Ocean November 10 \u2013 December 17, 2017 In an Information Age, when knowledge is networked and ubiquitous, how are truths discerned and histories recorded? In an era of \u2018alternative facts,\u2019 fast-circulating news, and \u201cfake news,\u201d the ability to understand our world \u2014 what constitutes real information to form knowledge and, ultimately, truths \u2014 seems […]<\/p>","protected":false},"author":1,"featured_media":0,"parent":334,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-242","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/pages\/242","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/comments?post=242"}],"version-history":[{"count":5,"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/pages\/242\/revisions"}],"predecessor-version":[{"id":1617,"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/pages\/242\/revisions\/1617"}],"up":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/pages\/334"}],"wp:attachment":[{"href":"https:\/\/www.macalester.edu\/gallery\/wp-json\/wp\/v2\/media?parent=242"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}