Michael Griffin teaches courses on the history and analysis of film and photography, media representation, media and culture\/society, media institutions, journalism and community media.<\/p>\n
Griffin earned his PhD in visual communication and media studies from the Annenberg School for Communication at the University of Pennsylvania, where he also received a CBS Dissertation Fellowship for his work on the industrial shaping of visual aesthetics. Later, he was one of five winners internationally of an Annenberg Scholars Program Post-Doctoral Fellowship for research on visual imagery in television news. Griffin has worked as a documentary filmmaker, edited the Visual Communication Area of\u00a0The International Encyclopedia of Communication<\/em>, and has three times been elected Chair of the Visual Communication Studies Division of the International Communication Association (ICA). He has received publication awards for most cited articles in the journals\u00a0Media, War & Conflict,<\/em><\/em>\u00a0and\u00a0Journalism: Theory, Practice & Criticism<\/em>,\u00a0<\/em>and was awared the Honorary Stans Lecture in American History and Politics, \u201cWar Images and American Memory,\u201d at the Minnesota History Center.<\/p>\n Griffin\u00a0has advised more than one hundred Ph.D., MA and undergraduate senior theses at the University of Minnesota, the University of Amsterdam, Carleton College and Macalester College, and was named a\u00a0President\u2019s Distinguished Future Faculty Mentor and a President\u2019s Distinguished Minority Student Mentor at the University of Minnesota.<\/p>\n He writes and teaches on the cultural history, theory and practice of visual representation in film, photography, television, and new multi-media forms, and on the sociology, politics and democratic functions of media institutions and community media. A sample of recent publications include:\u00a0\u201cLooking Back: The Shifting Public Life of the Abu Ghraib Photographs,\u201d in\u00a0Challenging Communication Research<\/em>\u00a0(2013);\u00a0\u201cVisual Communication,\u201d\u00a0Oxford Bibliographies Online<\/em>\u00a0(2013);\u00a0\u201cImages from Nowhere: Visuality and News in 21st<\/sup>\u00a0Century Media,\u201d In\u00a0Visual Cultures: A Transatlantic Perspective<\/em>\u00a0(2012);\u201cMedia Images of War,\u201d\u00a0Media, War & Conflict 3(1)<\/em>\u00a0(2010); \u201cArt as Communication,\u201d\u00a0The International Encyclopedia of Communication<\/em>\u00a02010; Visual Competence and Media Literacy: Can One Exist Without the Other?\u00a0Visual Studies 23(2) (2008);\u00a0<\/em>“Picturing America’s ‘War on Terrorism’ in Afghanistan and Iraq,”\u00a0Journalism: Theory, Practice, Criticism 5(4<\/em>) (2004); and\u00a0\u201cFor local political coverage, we need community-based media,\u201d the\u00a0Twin Cities Daily Planet\u00a0<\/em>2010. He frequently comments on contemporary media issues for numerous media outlets and community organizations.<\/p>\n Fall 2023 Office Hours:<\/strong>
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