{"id":2651,"date":"2020-05-11T23:54:33","date_gmt":"2020-05-11T23:54:33","guid":{"rendered":"https:\/\/www.macalester.edu\/160-the-words\/?page_id=2651"},"modified":"2024-08-08T21:49:40","modified_gmt":"2024-08-08T21:49:40","slug":"an-honorable-undertaking-spring-2020-english-honors-projects","status":"publish","type":"page","link":"https:\/\/www.macalester.edu\/the-words\/an-honorable-undertaking-spring-2020-english-honors-projects\/","title":{"rendered":"An Honorable Undertaking: Spring 2020 English Honors Projects"},"content":{"rendered":"<h2 class=\"wp-block-heading\">by Sophie Hilker &#8217;20<\/h2>\n\n\n\n<figure class=\"wp-block-image size-large is-resized\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"628\" src=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Julia-Joy-Honors-Project-Defense-Photo-Final-1-1-1024x628.jpg\" alt=\"Julia Joy '20 defends her Honors Project via Zoom\" class=\"wp-image-2719\" style=\"width:387px;height:auto\" srcset=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Julia-Joy-Honors-Project-Defense-Photo-Final-1-1-1024x628.jpg 1024w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Julia-Joy-Honors-Project-Defense-Photo-Final-1-1-300x184.jpg 300w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Julia-Joy-Honors-Project-Defense-Photo-Final-1-1-768x471.jpg 768w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Julia-Joy-Honors-Project-Defense-Photo-Final-1-1-1536x943.jpg 1536w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Julia-Joy-Honors-Project-Defense-Photo-Final-1-1-2048x1257.jpg 2048w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><figcaption class=\"wp-element-caption\">Julia Joy &#8217;20 defends her Honors Project via Zoom to English Professors Marlon James, and Michael Prior and poet and Mac Alum Sun Yung Shin.<\/figcaption><\/figure>\n\n\n\n<p><span style=\"font-weight: 400\">One of the many end of the year events we in the English department most look forward to is watching the culmination of an extensive, year-long study in literature or creative writing in a presentation from our Honors students. Although we were not able to host Honors defenses in person this year, three senior English majors, Julia Joy, Sophia Schlesinger, and Xavier Xin, bravely ventured into the unknown and defended their Honors Projects virtually via Zoom in April 2020.<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">Julia Joy, a Creative Writing major, devoted her Honors Project to creating a collection of poetry, titled <\/span><i><span style=\"font-weight: 400\">Red Letter Day<\/span><\/i><span style=\"font-weight: 400\"> with instruction and mentorship from her advisor, Professor Marlon James, as well as from a member of her defense committee, Professor Michael Prior.<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-2724\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"177\" src=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Sophia-Schlesinger-Honors-Project-Defense-Photo-Final-300x177.jpg\" alt=\"Sophia Schlesinger '20\" class=\"wp-image-2724\" srcset=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Sophia-Schlesinger-Honors-Project-Defense-Photo-Final-300x177.jpg 300w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Sophia-Schlesinger-Honors-Project-Defense-Photo-Final-1024x603.jpg 1024w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Sophia-Schlesinger-Honors-Project-Defense-Photo-Final-768x452.jpg 768w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Sophia-Schlesinger-Honors-Project-Defense-Photo-Final-1536x905.jpg 1536w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Sophia-Schlesinger-Honors-Project-Defense-Photo-Final-2048x1206.jpg 2048w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Sophia Schlesinger &#8217;20 defends her Honors Project via Zoom to an audience of English Professors Andrea Kaston Tange and Jim Dawes and Linguistics Professor Morgan Sleeper.<\/figcaption><\/figure>\n\n\n\n<p><span style=\"font-weight: 400\">Sophia Schlesinger, an English Literature major, created a thesis titled \u201cBodies in the Margins: Refiguring the <\/span><i><span style=\"font-weight: 400\">Rebetika<\/span><\/i><span style=\"font-weight: 400\"> as Literature\u201d with the help of her advisor, Department Chair and Professor, Andrea Kaston Tange. The abstract for Sophia\u2019s paper is as follows:<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">\u201cThis thesis engages a literary analysis of a corpus of songs and recordings known as the <\/span><span style=\"font-weight: 400\">rebetika (sing. rebetiko), which prospered in the port districts of major cities throughout the <\/span><span style=\"font-weight: 400\">Aegean in the early 20th century. Engaging the rebetika as literary texts, I argue, helps us <\/span><span style=\"font-weight: 400\">understand how they have functioned as a kind of pressure point on the borders between nation <\/span><span style=\"font-weight: 400\">and Other. Without making unproveable biographical claims about the motives of the music <\/span><span style=\"font-weight: 400\">progenitors, I examine why so many have reached for the rebetika as texts with which to <\/span><span style=\"font-weight: 400\">articulate various political and cultural desires. Using a multidisciplinary theoretical framework <\/span><span style=\"font-weight: 400\">that includes Elaine Scarry, Stuart Hall, Edward Said, Mark C. Jerng, and Judith Butler, I track <\/span><span style=\"font-weight: 400\">the ways the rebetika are implicated in the social marking and rendering of different kinds of <\/span><span style=\"font-weight: 400\">bodies. I argue that through the devices of metaphor and metonymy, the songs, recordings, and <\/span><span style=\"font-weight: 400\">lyrics of the rebetika preserve the memory of state violence and the experience of bodies in exile <\/span><span style=\"font-weight: 400\">and, in doing so, clashed with contemporaneous processes of negotiating Greek national identity <\/span><span style=\"font-weight: 400\">and policing the geosocial borders of &#8220;Europe.&#8221; I also examine the kinds of meanings and body <\/span><span style=\"font-weight: 400\">formations that secondary materials about the rebetika discursively produce. I ultimately argue <\/span><span style=\"font-weight: 400\">that the rebetika provide a useful narrative vocabulary for talking about different kinds of <\/span><span style=\"font-weight: 400\">marginality.\u201d<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image aligncenter wp-image-2727\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"185\" src=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Xavier-Xins-Honors-Project-Defense-Photo-Final-300x185.jpg\" alt=\"Jiawan Xavier Xin '20 \" class=\"wp-image-2727\" srcset=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Xavier-Xins-Honors-Project-Defense-Photo-Final-300x185.jpg 300w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Xavier-Xins-Honors-Project-Defense-Photo-Final-768x474.jpg 768w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2020\/05\/Xavier-Xins-Honors-Project-Defense-Photo-Final.jpg 896w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Jiawen &#8220;Xavier&#8221; Xin &#8217;20 presents his Honors Project before English Professors Sierra Lomuto and Daylanne English, and Religious Studies Professor William Hart, plus other professors and friends.<\/figcaption><\/figure>\n\n\n\n<p><span style=\"font-weight: 400\">Jiawen \u201cXavier\u201d Xin, an English Literature major, crafted his thesis \u201cParsing a Victorian Sensation: The Literary Mechanics of Evolutionary Science in <\/span><i><span style=\"font-weight: 400\">Vestiges of the Natural History of Creation<\/span><\/i><span style=\"font-weight: 400\">\u201d with his advisor, Professor Sierra Lomuto. Xavier described his project in the abstract featured below:<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">\u201cIn popular understanding, the history of evolutionary theory knows one name\u2014Charles <\/span><span style=\"font-weight: 400\">Darwin\u2014and one date\u20141859. Late in the second week of October, 1844, however, the <\/span><span style=\"font-weight: 400\">publication of an anonymous work titled Vestiges of the Natural History of Creation would alter <\/span><span style=\"font-weight: 400\">the course of evolutionary theory in Victorian society. Reaching more than a hundred thousand <\/span><span style=\"font-weight: 400\">readers across social classes and politics, Vestiges overtook Origin of Species in popularity, <\/span><span style=\"font-weight: 400\">brought evolution\u2014a taboo topic at the time\u2014into mainstream discussion, and became one of <\/span><span style=\"font-weight: 400\">the greatest sensations of its time. In this thesis, I argue that a literary analysis of this book of <\/span><span style=\"font-weight: 400\">science is central to helping us understand how Vestiges accomplished its contemporary status as <\/span><span style=\"font-weight: 400\">one of the definitive sensations of the Victorian era. My analysis, beyond showing how the <\/span><span style=\"font-weight: 400\">literary mechanics of Vestiges is central to its mass appeal, further highlights that science is made as much through observation and logic as through the literary mechanics of the prose that <\/span><span style=\"font-weight: 400\">expresses it. Directing the lens of literary analysis to Victorian scientific prose reveals the ways <\/span><span style=\"font-weight: 400\">in which literary strategies are central to knowledge production and dissemination. Such method <\/span><span style=\"font-weight: 400\">therefore affords us a more complete and complicated understanding of the history of <\/span><span style=\"font-weight: 400\">evolutionary theory in particular, and science in general. In Chapter 1, I show how Robert <\/span><span style=\"font-weight: 400\">Chambers\u2019 (the posthumously revealed author) narratorial voice creates a \u201cdemocratic\u201d process <\/span><span style=\"font-weight: 400\">of knowledge production; and in Chapter 2, I explore the rhetorical strategies Chambers employs <\/span><span style=\"font-weight: 400\">to reconcile the growing religious and political anxieties surrounding the emerging disciplines of <\/span><span style=\"font-weight: 400\">science. I conclude by situating Vestiges in its broader context of the British empire and tracing <\/span><span style=\"font-weight: 400\">its troubling legacies in Darwin\u2019s Origin and modern-day racism. This project demonstrates the <\/span><span style=\"font-weight: 400\">importance of Humanities in a STEM-focused world. Literary analysis not only helps us <\/span><span style=\"font-weight: 400\">understand how scientific ideas are able to gain cultural authority, but also reveals how science <\/span><span style=\"font-weight: 400\">itself is produced through literary strategies.\u201d<\/span><\/p>\n\n\n\n<hr class=\"wp-block-separator has-alpha-channel-opacity\" \/>\n\n\n\n<p><span style=\"font-weight: 400\">Congratulations to Julia, Sophia, and Xavier, not only for your outstanding devotion to your studies culminating in your wonderful projects and passing your defenses, but for succeeding under such extenuating and uncertain circumstances. You have made the English Department proud, and we commend you all on your hard work.<\/span><\/p>","protected":false},"excerpt":{"rendered":"<p>by Sophie Hilker &#8217;20 One of the many end of the year events we in the English department most look forward to is watching the culmination of an extensive, year-long study in literature or creative writing in a presentation from our Honors students. Although we were not able to host Honors defenses in person this [&hellip;]<\/p>","protected":false},"author":913,"featured_media":2719,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-2651","page","type-page","status-publish","has-post-thumbnail","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/2651","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/users\/913"}],"replies":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/comments?post=2651"}],"version-history":[{"count":15,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/2651\/revisions"}],"predecessor-version":[{"id":7931,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/2651\/revisions\/7931"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/media\/2719"}],"wp:attachment":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/media?parent=2651"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}