{"id":6541,"date":"2024-04-03T19:55:36","date_gmt":"2024-04-03T19:55:36","guid":{"rendered":"https:\/\/www.macalester.edu\/160-the-words\/?page_id=6541"},"modified":"2024-08-19T21:20:26","modified_gmt":"2024-08-19T21:20:26","slug":"eurydice-produced-by-the-macalester-theater-department","status":"publish","type":"page","link":"https:\/\/www.macalester.edu\/the-words\/home-2\/the-words-april-2024\/eurydice-produced-by-the-macalester-theater-department\/","title":{"rendered":"Eurydice Produced by the Macalester Theater Department"},"content":{"rendered":"<h2 class=\"wp-block-heading\">by Patrick Coy-Bjork<\/h2>\n\n\n\n<figure class=\"wp-block-image alignright wp-image-6545\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/unnamed-1-300x200.jpg\" alt=\"\" class=\"wp-image-6545\" srcset=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/unnamed-1-300x200.jpg 300w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/unnamed-1-1024x683.jpg 1024w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/unnamed-1-768x512.jpg 768w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/unnamed-1-1536x1024.jpg 1536w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/unnamed-1.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Eurydice (Zoey Yandell \u201824), Orpheus (Caroline Bivens \u201827), and the Stone Chorus (Beja Pu\u0161k\u00e1\u0161ov\u00e1 &#8217;26, Caitlin Compton &#8217;24, Ellie Berkenblit &#8217;24, Emma Eichenbaum &#8217;24, Mia Guzman &#8217;26, Tim Delventhal &#8217;26, Cam Wright &#8217;26, Ian Machalek &#8217;27)<\/figcaption><\/figure>\n\n\n\n<p><span style=\"font-weight: 400\">The Macalester Theater Department\u2019s Spring Production is now performing! The play, <\/span><i><span style=\"font-weight: 400\">Eurydice, is <\/span><\/i><span style=\"font-weight: 400\">written by Sarah Ruhl. The play is a retelling of the Greek myth of Orpheus &amp; Eurydice, but as Ruhl herself puts it, the show \u201creimagines the classic myth not through Orpheus&#8217;s infamous pilgrimage to retrieve his bride, but through the eyes of its heroine.\u201d The titular Eurydice, performed by Zoey Yandell \u201824, loses most of her memory upon arriving to the Underworld, having been dipped in the river of oblivion: the Lethe. She begins learning the ways of this strange world&nbsp;while re-learning about her own forgotten self. Meanwhile, Orpheus (Caroline Bivens \u201827) attempts to send correspondence to Eurydice from the world of the living before eventually journeying to the Underworld themself.&nbsp;<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">In addition to shifting the focus onto Eurydice\u2019s perspective, there are other very unique aspects to this telling of the myth. For example, in this version of the story, Eurydice\u2019s deceased father (Yeqi Sun \u201827) is centrally important to the show\u2019s narrative. He guides and cares for her upon her arrival to the land of the dead, in spite of Eurydice\u2019s lost memory and the strangeness of the Underworld restricting her from understanding what he meant to her when they were both alive. As dramaturg Audrey Lester \u201826 explains, the show was \u201cwritten after the death of playwright Sarah Ruhl\u2019s father,\u201d and so it \u201cbuilds on a Classical Greek myth about the refusal to accept death to explore themes of memory and grief.\u201d&nbsp;<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">The production also features a Greek chorus of stones, which director Randy Reyes describes as \u201cbearing witness, making commentary, warning, scolding, manipulating, and supporting the action of the play.\u201d Another interesting aspect is the representation of the character presumably meant to be Hades (referred to only as \u201cThe Lord of the Underworld\u201d) played by Ian Machalek \u201827. The character resembles a stereotypical toddler in both appearance (donning a propeller cap and riding a tricycle) and rambunctious, bad-tempered behavior.&nbsp;<\/span><\/p>\n\n\n\n<figure class=\"wp-block-image alignright wp-image-6543\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"200\" src=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/letters-300x200.jpg\" alt=\"\" class=\"wp-image-6543\" srcset=\"https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/letters-300x200.jpg 300w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/letters-1024x683.jpg 1024w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/letters-768x512.jpg 768w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/letters-1536x1024.jpg 1536w,  https:\/\/www.macalester.edu\/the-words\/wp-content\/uploads\/sites\/603\/2024\/04\/letters.jpg 1800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption class=\"wp-element-caption\">Orpheus (Caroline Bevins &#8217;27) composing a letter to be sent to the Underworld<\/figcaption><\/figure>\n\n\n\n<p><span style=\"font-weight: 400\">On that note, the costuming (by Costume Shop Manager MaryBeth Gagner and Bea Mellsop \u201824) and props (Rene&#8217;e Gonzales \u201824) were done beautifully. Their vibrancy creates a fascinating juxtaposition with the gray, yet gorgeous and complex set resembling a Greek amphitheater designed by THDA Technical Director Tom Barrett. The lighting (Kathy Maxwell, Yuheng (Kitty) Jiang &#8217;24) and sound (Lucas Martin \u201824) were also brilliantly done, helping to&nbsp;smoothly transport the audience to the bizarre, abstract world of the play. One technical aspect in particular I enjoyed was the use of an old-school overhead projector to display the characters\u2019 act of writing letters. With this, the audience gets to see the actors displaying their own handwriting while composing the letters live before our eyes!<\/span><\/p>\n\n\n\n<p><span style=\"font-weight: 400\">I had the pleasure of attending the Saturday evening performance this past weekend and greatly enjoyed it! I am currently writing my English Literature capstone on <\/span><i><span style=\"font-weight: 400\">Hadestown<\/span><\/i><span style=\"font-weight: 400\">, which is another theatrical adaptation of the myth of Orpheus and Eurydice, and so I really valued being able to experience a different take on how this story can be adapted. Congratulations to everyone involved with the production for their terrific work!<\/span><\/p>\n\n\n\n<p><i><span style=\"font-weight: 400\">Eurydice will continue to be performed this weekend on April 5th, 6th, and 7th. Get your tickets <\/span><\/i><a href=\"https:\/\/macalester.us2.list-manage.com\/track\/click?u=7fed08c943a79f41cd2ff5327&amp;id=ba0bbf3c9d&amp;e=349120d916\"><i><span style=\"font-weight: 400\">here!<\/span><\/i><\/a><\/p>","protected":false},"excerpt":{"rendered":"<p>by Patrick Coy-Bjork The Macalester Theater Department\u2019s Spring Production is now performing! The play, Eurydice, is written by Sarah Ruhl. The play is a retelling of the Greek myth of Orpheus &amp; Eurydice, but as Ruhl herself puts it, the show \u201creimagines the classic myth not through Orpheus&#8217;s infamous pilgrimage to retrieve his bride, but [&hellip;]<\/p>","protected":false},"author":913,"featured_media":0,"parent":6453,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-6541","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/6541","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/users\/913"}],"replies":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/comments?post=6541"}],"version-history":[{"count":10,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/6541\/revisions"}],"predecessor-version":[{"id":9071,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/6541\/revisions\/9071"}],"up":[{"embeddable":true,"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/pages\/6453"}],"wp:attachment":[{"href":"https:\/\/www.macalester.edu\/the-words\/wp-json\/wp\/v2\/media?parent=6541"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}