Asian Languages and Cultures Classes

Buddhism is increasingly well-known in the USA, but what is it, and how does Buddhism encourage people to organize and think about their lives? Organized on the basis of the Eightfold Noble Path, with a focus of 'morals, the Buddhist psychology of mind, and meditation,'  this course offers an introduction to the personalities, teachings, and institutions of Buddhism. Beginning in India at the time of the Buddha, this course focuses on Theravada Buddhism, asking students to think historically, philosophically, and anthropologically. Many Friday sessions will be dedicated to an exploration of the variety of Buddhist meditative techniques.

General Education Requirements:
Writing WP
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course introduces the cultures and societies of China, Japan and Korea from the earliest times to the present day. Primarily an introductory course for beginners in East Asian civilization, this course considers a variety of significant themes in religious, political, economic, social and cultural developments in the region.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This course examines the art, architecture, and visual culture of Japan, spanning a broad temporal frame from the ancient Neolithic era to our own contemporary moment.  We will discuss a diverse array of art and architecture from ancient Jomon pottery, Shinto shrines, and print media to Buddhist sculpture, painting practices during World War II, anime (cartoons) and manga (comics). In addition to learning methods of formal visual analysis, students will gain insight into how these works articulated complex artistic, social, economic, political, and religious trends. Through this course, students will develop skills to reflect critically on the production of narratives of Japanese culture, while considering concepts such as tradition, hybridity, value, authority, authenticity, sexuality, commodity flows, nationalism, and militarism.

General Education Requirements:
Internationalism

Distribution Requirements:
Fine arts

Course Materials

This survey course examines aspects of the histories and cultures of Cambodia. Emphasizing an interdisciplinary focus, we will examine aspects of geography, language, art, and religion, moving from the enormous and significant Angkor empire to contemporary Cambodia.

General Education Requirements:
Internationalism

Distribution Requirements:

Course Materials

Did Confucius really say all those things? What does it mean to call something “zen”? The popularity of mindfulness and meditation made “Eastern Philosophy” fashionable, but what exactly does that entail? This class will be an introduction to classical Chinese philosophy, focusing on Confucianism and its rivals (Daoism, Mohism, Buddhism). Many schools of thought in East Asia offered competing views on how to live a good life; we will explore these views and chart how they responded to each other. We’ll also see how Chinese thoughts were received and developed by Korean and Japanese philosophers and assess ongoing influences of these philosophies in East Asia and beyond.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

China is known for its grueling examination culture. How did this culture evolve? This course examines the imperial civil service examination system, the benchmark of social and political success in imperial China. We will read the core texts of the Confucian curriculum - the Four Books and the Five Classics -  to examine the values these texts promoted. We will also study frustrated scholars' fictional accounts of the unfairness of the exam system, Europeans' praise of it as a model meritocracy, and women's struggles to participate in a system that explicitly excluded them. The course invites reflection on contemporary educational practices, and culminates in a recreation of the civil service exam.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

A study of leading institutions and movements of nineteenth- and twentieth-century China. Major emphases include the impact of Western imperialism, the transformation of peasant society through revolution, the rise of Mao Tse-Tung, and the Great Proletarian Cultural Revolution. Special attention will be given to U.S.-China relations.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

This course will consider representations of queerness in Japan since the 1980s. The course focuses on literature but also examines media including cinema, poetry, manga, and television. The goal is not to survey the entirety of Japanese queer culture but to look at how queerness has been depicted in recent years by a variety of authors and creators. The course includes five units: Unit One - A Brief Historical Survey; Unit Two - Literature as Pre-AIDS/Post-AIDS; Unit Three - Queerness on the Border and On the Border of Queerness; Unit Four - The Queer Boom of the 1980s; Unit Five - Gay Magazines and the Function of Space. All readings are in English. Some course materials covered include graphic depictions of sex and/or violence

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

Coined in the late 19th century by the German geographer, Ferdinand von Richthoven (1833-1905), the “Silk Road” was neither a singular road nor strictly occupied with silk. Rather, it was a complex web of overland and maritime trade of multifarious luxury goods including jade, porcelain, prints, paintings, metalwork, sculpture, furniture, and (of course) textiles; these goods moved along routes extending geographically from the Far East through Central, North, and South Asia to the Mediterranean. This course examines art and artifacts that moved along these trade routes from around the 2nd c. BCE to the 19th c. CE, inspiring the evolution of culture and taste in many regions, and discusses how religions such as Buddhism and Islam contributed to shifts in material practices. Through a study of the art and treasure associated with the "Silk Road", we will learn about the muddy, complicated, and fascinating nature of ancient, pre-modern, and early modern trade and the formative role it has played in shaping visual cultures we see and understand today.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Fine arts

Course Materials

This course introduces some fundamental political themes among selected East Asian countries (China, South/North Korea, and Japan) and presents explanations for the differences. We will attempt to answer questions from the perspective of comparative politics. For example, why are some Asian countries democracies while others are authoritarian? Does the Western model of democracy work for China? What are some of the important similarities in terms of political processes and outcomes that we find in China and in democratic regimes? What is the historical background for democracies in Japan and in South Korea? At the end of the course, students should be able to analyze political events, drawing on the theoretical explanations provided in the class.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

n 1966, sociologist William Peterson published an article in the New York Times titled, “Success Story, Japanese-American Style,” which praised Japanese Americans, their family structure, and their culture for achieving education and financial success despite having been incarcerated en masse during World War II. This marks the first articulation of model minority myth, which stereotypes Asian American as being successful, hardworking, law-abiding, and dutiful, relative to other minoritized groups. So, how did Japanese Americans go from being perceived as enemy spies to the original “model minority”? This course will examine the history and experience of Japanese Americans from the mid-nineteenth century to the present, with an eye toward Japanese American activism and resistance. Topics will include: U.S. imperialism in Asia; the effects of incarceration during World War II; Japanese Americans in Hawai’i; Japanese American organizing against Islamophobia and the mass incarceration of migrants at the border; and Japanese American solidarity with the civil rights movement and reparations for African Americans.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

Asian Americans are often overlooked in the study of religion in the U.S., and yet the impact of Asian religious practices can be seen at every turn: yoga studios, mindfulness meditation, “zen” aesthetics of minimalism, and so on. What do we make of the gap between how Asian religions are practiced in Asian American communities and how these traditions have been reinterpreted by predominantly white, educated, middle class adherents? How do Asian American Christians negotiate their identities in the context of non-Asian Christian churches or the intergenerational tensions within their own ethnic churches? The approach of this course is interdisciplinary (and sometimes counterdisciplinary); it draws on theoretical and methodological insights from ethnic studies, religious studies, history, and sociology. Topics include: race and the racialization of Asian Americans; the politics of cultural and religious exchange; the commodification of Asian religious practices; and issues of assimilation and hybridity within Asian American Christian traditions.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Humanities

Course Materials

The Critical Hmong Studies course will engage students in a critical analysis of the changing nature of Hmong culture and Hmong identity worldwide. The course traces Hmong origin from China, and historical events to current time, including Hmong involvement in the Vietnam War, Hmong migration throughout the world, and Hmong life in host societies. Students will explore debates surrounding cultural identity, intergenerational conflict, changing traditions and cultural practices in host societies. In addition, students will examine gender issues, acculturation, the portrayal of Hmong in media, Hmong in education, and racism among others.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

In Chinese, writing is synonymous with culture: the graph "wen" connotes not just written language but civilization itself. This course explores the central role of writing – especially the cultural history of Chinese characters – both in and beyond China from ancient times to the present. How did this unique writing system develop? How have the graphs changed over time? What binds these characters to other art forms – like painting, poetry, calligraphy, sculpture, and dance – or to ethical or spiritual self-cultivation? How do characters, incised in stone or brushed onto paper, transmit meaning? And how did they become the predominant writing system used throughout East and Southeast Asia in premodern times? What myths have been told about their origins, how have they been misconstrued, and what accounts for their extraordinary longevity? No knowledge of Chinese is required.

General Education Requirements:
Writing WP
Internationalism

Distribution Requirements:

Course Materials

This course serves as both an introduction to the interdisciplinary program in Asian Studies and an introduction to some of the religious and philosophical traditions of both South and East Asia. We will have a number of guest lectures from Asian Studies faculty, and consider Hindu and Buddhist traditions in South India as well as Confucian, Daoist and Buddhist traditions in East Asia. In both settings we will examine the aftermath of nineteenth and twentieth century encounters with Western colonial powers and analyze the thought of Gandhi and Mao Zedong.

General Education Requirements:

Distribution Requirements:
Humanities

Course Materials

Japanese is considered to be a gendered language in the sense that women and men speak differently from each other. Male characters in Japanese animation often use "boku" or "ore" to refer to themselves, while female characters often use "watashi" or "atashi." When translated into Japanese, Hermione Granger (a female character in the Harry Potter series) ends sentences with soft-sounding forms, while Harry Potter and his best friend Ron use more assertive forms. Do these fictional representations reflect reality? How are certain forms associated with femininity or masculinity? Do speakers of Japanese conform to the norm or rebel against it? These are some of the questions discussed in this course. Students will have opportunities to learn about the history of gendered language, discover different methodologies in data collections, and find out about current discourse on language and gender.

General Education Requirements:
Internationalism

Distribution Requirements:
Social science

Course Materials

This course examines the art and visual culture of China from the Neolithic era to the twenty-first century. Lectures and readings will teach methods of formal visual analysis as well as provide the opportunity for students to think critically about how scholars write the artistic history of the region. Through this class, students will engage with a broad array of media, from jade carvings, Buddhist cave painting, architecture, calligraphy and monumental landscape paintings to ceramics, imperial palaces, and contemporary installations. While examining the intended meanings and functions of these objects and spaces, we will discuss the varied contexts and value systems that have informed visual production in China.

General Education Requirements:
Internationalism

Distribution Requirements:
Fine arts

Course Materials

This course introduces the basic issues and concepts of Asian American Studies. We begin by looking at the birth of Asian American Studies as a field in response to student protests in the late 1960s. We then proceed to an overview of Asian American history beginning with U.S. imperialism in Asia and moving up to the present moment. For the remainder of the course we’ll focus on particular topics such as: the model minority myth; anti-Asian violence; multiracial Asian American identity; and Asian American activism. The approach of this course is interdisciplinary; it draws on theoretical and methodological insights from academic disciplines such as history, ethnic studies, and sociology.

General Education Requirements:
U.S. Identities and Differences

Distribution Requirements:
Social science

Course Materials

Reading Plays guides students in close readings of dramatic literature, in particular of plays that are typically left out of the traditional theatrical canon. This edition of Reading Plays will focus on texts and performances in Asian American theater to bring students to a deeper understanding of the history, experience, and politics of Asian Americans. What does the term Asian American encompass? Why do Asian American stories need to be told and what is the best way to tell them? What are the artistic and social factors that go into writing and producing Asian American plays? How have the writing styles evolved and shifted over the decades? Students will learn about the socio-historical context of each play, and in-class exercises will introduce them to the foundation of script analysis: they will examine the play’s given circumstances, dialogue, dramatic action, characters, and style. Students will read a new play every week; assignments include weekly in-class writing exercises and short critical papers. While we will be studying theater scripts, you do not need to be a theater expert to enjoy this class.

General Education Requirements:

Distribution Requirements:
Fine arts

Course Materials

This course surveys the history of Japanese film from the "golden age" of Japanese cinema to the contemporary transnational genre of anime. While introducing methodologies of film analysis and interpretation, it develops knowledge of how major works of Japanese film and animation have expressed and critiqued issues of modern Japanese society. In doing this, we trace the development of two related archetypes: the middle-class salaryman and the adolescent girl (shojo). These figures - as well as their incarnations as cyberpunks and mecha-warriors, sex workers and teen rebels - help us explore Japanese film's engagement with the strictures of middle-class society, the constrained status of women, fantasy and escapism, sexuality and desire. Weekly screenings and discussion will be supplemented by readings in film theory and cultural criticism. Directors include Ozu Yasujiro, Akira Kurosawa, Oshima Nagisa, Miyazaki Hayao, Anno Hideaki, and Hosoda Mamoru. No prior knowledge of Japanese required.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course is an overview of China on the silver screen. Adopting the "nation" as its primary structuring device, the course examines how Chinese films represented the national identity, national issues, and the national past. The topics under discussion include how women's virtues became emblems of a nation that strived for modernity in the early 20th century; how films were politically appropriated for socialist purposes; how the revolutionary past was cinematically constructed, remembered and critiqued in the post-Mao era; how the national legacy and tradition were consciously or unconsciously re-created and revised as a spectacle to meet the curious gaze of the global market; and how Taiwan and Hong Kong cinema constantly reflected cultural and national identities. The course starts from the silent film period and extends to the fifth generation directors, underground filmmaking, and the revival of the martial arts genre in greater China. Feature films from mainland China, Taiwan, and Hong Kong will be screened and discussed. Secondary articles and books are also assigned in conjunction with the films. The course is organized thematically and moves chronologically. No prior knowledge of China or Chinese is required.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course introduces students to the art and visual culture of Japan from the late nineteenth century through the mid-twentieth century, a period of Japanese history marked by dramatic cultural, political, and social change.  The class focuses primarily on the visual arts from the 1850s to 1945, a time when modernism and modernity were seen (by some) as empowering and (by others) as a threat to foundations of national identity; we will also consider artistic practices in the postwar era to understand the "crisis of the modern" that developed in the first decades after the war as artists struggled to find their individual and national voices. Drawing on a diverse array of artistic forms and visual media, including painting, prints, sculpture, architecture, anime (Japanese cartoons), film, photography, advertising design, and manga (Japanese comics), we explore themes such as trauma, nationalism, imperialism, fascism, protest, hybridity, fantasy, embodiment, and performativity. Students will be asked to consider critically how these works operated as a part of international flows in art, design, and consumerism as well as how they contributed to evolving modern identities in Japan.

General Education Requirements:
Writing WA
Internationalism

Distribution Requirements:
Fine arts

Course Materials

A study of the culture and society of China from earliest times to the eighteenth century, when the impact of the West was strongly felt. The course will feature themes in Chinese history, including the birth of the Great Philosophers, the story of the Great Wall, the making and sustaining of the imperial system, the Silk Road and international trade and cultural exchange, the emergence of Chinese Buddhism and Neo-Confucianism, Genghis Kahn and his Eurasian Empire, the splendid literary and artistic achievements, the Opium War and its impact on modern China. Lecture/discussion format.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

A study of leading institutions and movements of nineteenth- and twentieth-century China. Major emphases include the impact of Western imperialism, the transformation of peasant society through revolution, the rise of Mao Tse-Tung, and the Great Proletarian Cultural Revolution. Special attention will be given to U.S.-China relations.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

A survey of the major political, social, religious, intellectual, economic and artistic developments in Japan from earliest times to the opening of Japan in the 1850s. The course will revisit Japan's emperor system, Shintoism, feudalism, Samurai as a class, selective borrowing from China, Korea, and the West, and the background of Japan's rapid modernization after the Meiji Restoration.

General Education Requirements:
Internationalism

Distribution Requirements:
Humanities

Course Materials

This course aims to investigate the complex relationship between language and identity. Language plays a significant role in conveying one’s identity, as do other semiotic means such as clothing. By exploring scholarship that considers language as it relates to identity, students will discover how speakers/writers use their agency in expressing their identity and how identity emerges as a social and cultural phenomenon. They will learn about multiple interrelated factors that affect how speakers/writers view and use language such as race, ethnicity, nationality, and multilingualism in Japanese, Asian American, and other communities, and conduct research using authentic linguistic data. No knowledge of Japanese is required.

General Education Requirements:
Internationalism

Distribution Requirements:
Social science

Course Materials

The Uyghur are Central Asian Turkic Muslims residing in a minority autonomous region called Xinjiang in northwest China, which many of its natives prefer to call East Turkestan. Conflicts between the Uyghur and the Chinese state have turned into suppression and resistance over the past few decades, calling into question issues of sovereignty, human rights, minoritized identity, and social justice. This course introduces Uyghur culture, history, language, and art with an interdisciplinary focus. It addresses topics such as indigenous nationalism, representation, Islamophobia, racism, and mass incarceration, while also taking a critical look at discourses of pluralism, terrorism, and the “Silk Road.” We will listen closely to major genres of traditional and modern Uyghur music, and may be involved in a small-scale performance of an early modern Uyghur drama. There is no prerequisite; no prior knowledge of music, Uyghur or Turkic languages, or Chinese is assumed.

General Education Requirements:
Internationalism

Distribution Requirements:

Course Materials

This course provides interdisciplinary textual and visual materials to examine historical and contemporary processes through which to understand everyday politics in South Asia, with a deep focus on how macropolitics affect the scale of the local, the body, and the community. Course materials are based on studies of Afghanistan, Bangladesh, Bhutan, India, Maldives, Nepal, Pakistan, and Sri Lanka. In these varied spaces in South Asia, students will engage with materials that focus particularly on, and from, the margins, frontiers, and borderlands of these contemporary states. Students will learn from academic writing, documentary photography, and film to understand how South Asia is not a fixed place or a timeless regional entity. Rather, drawing on Doreen Massey’s “a global sense of place”, students will learn about South Asia through the lens of relationality, transnational flows, and local-global connections of humans and non-humans. In addition, the course focuses on transnational homes and representations for South Asians in the diaspora. We are placed quite well to engage with the sizable South Asian community in the Twin Cities. Course topics include development, memory, colonialism, nation, bureaucracy, indigeneity, youth, religion, gender, political ecology, urban life, mobility, diaspora.

General Education Requirements:

Distribution Requirements:
Social science

Course Materials

This course examines dance and performance art by and about the Asian Diaspora. We analyze these media in social, political, and historical contexts. We define the Asian Diaspora broadly, including people living in Asia and people of Asian descent who have lived in the Americas for one month to multiple generations. We engage with both documented (via text, video, or description) and live performance to examine how performance as a medium and mode of making meaning affects our perception of the world. We employ strategies from gender studies, queer studies, performance studies, and critical race studies to discuss how Asians and Asian Americans make meaning through performance, and how performance represents Asians and Asian America.

General Education Requirements:

Distribution Requirements:
Fine arts

Course Materials